{"title":"慷慨的咒语:相互依存的魔法:加拿大的残疾表演","authors":"Kelsie Acton","doi":"10.3138/ctr.193.017","DOIUrl":null,"url":null,"abstract":"Abstract:Interdependent Magic, curated by Jessica Watkin, is the first anthology of plays by disabled Canadian playwrights from Playwrights Canada Press. It includes pieces by Alex Bulmer, the Boys in Chairs Collective, Syrus Marcus Ware, and Chris Dodd, as well as an interview with Niall McNeil. In this review, Kelsie Acton considers the ways in which the strength of this volume lies not just in the quality and diversity of playwriting featured but also in the care the editor has taken in framing the work. Watkin offers two introductions, one aimed at audiences familiar with disability justice and disability arts and the other aimed at audiences new to disability culture. Interdependent Magic acknowledges the diversity of disabled playwrights in Canada and the diversity of audiences who will read their work.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Generous Incantation: Interdependent Magic: Disability Performance in Canada\",\"authors\":\"Kelsie Acton\",\"doi\":\"10.3138/ctr.193.017\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Interdependent Magic, curated by Jessica Watkin, is the first anthology of plays by disabled Canadian playwrights from Playwrights Canada Press. It includes pieces by Alex Bulmer, the Boys in Chairs Collective, Syrus Marcus Ware, and Chris Dodd, as well as an interview with Niall McNeil. In this review, Kelsie Acton considers the ways in which the strength of this volume lies not just in the quality and diversity of playwriting featured but also in the care the editor has taken in framing the work. Watkin offers two introductions, one aimed at audiences familiar with disability justice and disability arts and the other aimed at audiences new to disability culture. Interdependent Magic acknowledges the diversity of disabled playwrights in Canada and the diversity of audiences who will read their work.\",\"PeriodicalId\":42646,\"journal\":{\"name\":\"CANADIAN THEATRE REVIEW\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CANADIAN THEATRE REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/ctr.193.017\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CANADIAN THEATRE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/ctr.193.017","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0
摘要
摘要：杰西卡·沃特金策划的《相互依存的魔法》是加拿大剧作家出版社的第一本加拿大残疾剧作家戏剧选集。其中包括Alex Bulmer、Boys in Chairs Collective、Syrus Marcus Ware和Chris Dodd的作品，以及对Niall McNeil的采访。在这篇综述中，凯尔西·阿克顿认为，这本书的优势不仅在于剧本写作的质量和多样性，还在于编辑在构思作品时所采取的谨慎态度。Watkin提供了两个介绍，一个面向熟悉残疾司法和残疾艺术的观众，另一个面向新接触残疾文化的观众。《相互依存的魔法》承认加拿大残疾剧作家的多样性以及阅读他们作品的观众的多样性。
A Generous Incantation: Interdependent Magic: Disability Performance in Canada
Abstract:Interdependent Magic, curated by Jessica Watkin, is the first anthology of plays by disabled Canadian playwrights from Playwrights Canada Press. It includes pieces by Alex Bulmer, the Boys in Chairs Collective, Syrus Marcus Ware, and Chris Dodd, as well as an interview with Niall McNeil. In this review, Kelsie Acton considers the ways in which the strength of this volume lies not just in the quality and diversity of playwriting featured but also in the care the editor has taken in framing the work. Watkin offers two introductions, one aimed at audiences familiar with disability justice and disability arts and the other aimed at audiences new to disability culture. Interdependent Magic acknowledges the diversity of disabled playwrights in Canada and the diversity of audiences who will read their work.
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