巴纳尔的特权：巴黎的艺术、世俗主义和天主教。

IF 0.3 3区哲学 0 RELIGION Material Religion Pub Date : 2022-01-01 DOI:10.1080/17432200.2021.2015931

James S. Bielo

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引用次数: 5

摘要

119现代人所说的“福音派世俗主义”。启示地理在研究亨利·大卫·梭罗的《瓦尔登湖》（2011203，n.57）时引用了现代人在战前美国的世俗主义，但没有将“福音派现世主义”作为一个框架，也没有将现代人作为一个重要的对话者。如果与宗教研究学者进行更深入的接触，就会提供更微妙的方法来将美国景观理论化为一个与世俗主义和启蒙运动纠缠在一起的启示录、福音派媒体景观。

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The Privilege of Being Banal: Art, Secularism, and Catholicism in Paris.

119 what Modern terms “evangelical secularism.” Apocalyptic Geographies cites Modern’s Secularism in Antebellum America when examining Henry David Thoreau’s Walden (2011, 203, n. 57), but does not engage with the concept of “evangelical secularism” as a framework or Modern as a significant interlocuter. Deeper engagement with religious studies scholars would have offered more nuanced ways of theorizing the American landscape as an apocalyptic, evangelical mediascape entangled in secularism and the Enlightenment.

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Material Religion RELIGION-

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1.00

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