约瑟夫斯的犹太文物与大马士革世界史上的尼古拉

IF 0.2 0 RELIGION Journal of Ancient Judaism Pub Date : 2022-02-09 DOI:10.30965/21967954-bja10017
Tyler Smith
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引用次数: 0

摘要

在《犹太文物14-17》中,约瑟夫斯大量借鉴了大马士革的《世界史》中的尼古拉。约瑟夫斯和他在一世纪末罗马的直接听众会把尼古拉的作品视为讲述希律时期犹太人历史的直接竞争对手。这篇文章着眼于约瑟夫斯使用传统的历史论战来抨击他的前任和竞争对手的动机。约瑟夫斯把历史演员尼科劳斯塑造成一个有偏见的人,这让人们对《通史》的可靠性产生了怀疑。最终,这为古物对希律更挑剔的姿态(相对于他早期作品《犹太战争》中更慷慨的姿态)开辟了一个新的视角:在与尼科劳斯的虚拟竞争中,约瑟夫斯试图赢得人们对他自己的作品的钦佩,因为他对希律的评价是坦率和公正的,同时也让人怀疑尼古拉的作品是谄媚和偏袒的。
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Josephus’s Jewish Antiquities in Competition with Nicolaus of Damascus’s Universal History
In Jewish Antiquities 14–17, Josephus draws extensively on Nicolaus of Damascus’s Universal History. Josephus and his immediate audience in Rome at the end of the first century would have seen Nicolaus’s work as a direct competitor for telling the history of the Jewish people in the Herodian period. This essay looks at Josephus’s use of conventional historiographical polemic to impugn the motivations of his predecessor and rival. By casting Nicolaus the historical actor as biased, Josephus casts doubt on the reliability of the Universal History. Ultimately, this opens up a new perspective on the Antiquities’s more censorious posture vis-à-vis Herod (relative to the more generous posture in his earlier work, the Jewish War): in a virtual competition with Nicolaus, Josephus seeks to win admiration for his own work as frank and impartial in its assessment of Herod while simultaneously fostering suspicion of Nicolaus’s work as obsequious and partisan.
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来源期刊
CiteScore
0.30
自引率
50.00%
发文量
17
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