喜剧《gottschediana》中的忧郁。Theodor Johann Quistorp的《Hypochondrist

IF 0.1 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN Studia Theodisca Pub Date : 2022-11-01 DOI:10.54103/1593-2478/18975
M. Pirro
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引用次数: 0

摘要

Theodor Johann Quistorp是Gottsched的《Deutsche schaub hne》(1741-1745)的定期撰稿人之一。除了作为剧作家出版作品外,他还尝试过写非虚构作品,反对鲍姆加滕的理论,并与乔治·弗里德里希·迈耶进行了激烈的辩论。基斯托普的喜剧实际上是基于一种喜剧效果的概念,这与戈特谢德式的理性主义相去甚远。在他的《疑病者》(1745)中,忧郁和抑郁并没有被描绘成邪恶和道德上的偏差,而是作为人性的一种生理表现,与个人身份的所有其他方面联系在一起。
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Un malinconico nella commedia gottschediana. «Der Hypochondrist» di Theodor Johann Quistorp
Theodor Johann Quistorp was among the regular contributors to Gottsched’s Deutsche Schaubühne (1741-1745). In addition to his published works as a playwright, he tried his hand at writing non-fiction, taking a stand against Baumgarten’s theories, and engaging in a heated debate with Georg Friedrich Meier. Quistorp’s comedies are actually based on a conception of the comic effect that is far removed from Gottschedian rationalism. In his Hypochondrist (1745), melancholy and depression are not represented as evil and morally deviant, but as a physiological expression of human nature, which is to be linked to all other aspects of individual identity.
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来源期刊
Studia Theodisca
Studia Theodisca LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
CiteScore
0.10
自引率
0.00%
发文量
9
审稿时长
10 weeks
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