凤凰的崛起:当代爱尔兰文学的复兴与复兴

IF 0.3 2区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Irish studies review Pub Date : 2023-07-03 DOI:10.1080/09670882.2023.2235869
Eoghan Smith, S. Workman
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引用次数: 0

摘要

本期《爱尔兰研究评论》特刊的重点是爱尔兰文学对2008年凯尔特虎队崩溃后爱尔兰生活中的社会、政治、经济和文化调整的回应。特别是,这里的文章探讨了爱尔兰作家是如何看待所谓“凯尔特凤凰”的兴起的,这个词在2010年代中期流行起来,以及爱尔兰文学的形式、方向和传播在这一时期是如何演变的。显然,要对2008年至今的爱尔兰文学进行全面详尽的描述,需要比这里多得多的篇幅,而且几乎不需要说,不可能在八篇文章中全面调查整个文学景观,这也不是我们的意图。此外,尽管诗歌、电影,以及在较小程度上的戏剧在这一时期有所发展,但本特辑的范围主要包括散文小说,并对非小说给予了一些关注。特别是短篇小说和小说,被描述为爱尔兰当前文学“复兴”的核心,而这种新写作的形式大胆和主题大胆是由“爱尔兰出版界的灵活性”和“活力”促成的,尽管不完全是在过去十五年中涌现的作家的作品中,我们的目标是,这项奖学金将有助于越来越多的批评作品,这些作品现在看来,即使在这个关键时刻,也是爱尔兰现代文学史上最重要的十到十五年之一。“凯尔特凤凰”这个短语需要一些解释。作为一种修辞,它清楚地唤起了“凯尔特虎”一词,并用不朽的凤凰形象取代了无情、贪婪的捕食者的形象——一只周期性自焚、奇迹般复活的神话之鸟。虽然这两个短语都可能被视为油嘴滑舌或简化,但它们都是重要的能指,已经获得了重要的意义
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The rise of the phoenix: restoration and renaissance in contemporary Irish writing
The focus of this special edition of the Irish Studies Review is on responses in Irish writing to the social, political, economic, and cultural realignments in Irish life that began after the collapse of the Celtic Tiger in 2008. In particular, the essays here examine how Irish writers have reckoned with the rise of the so-called “Celtic Phoenix,” a term that gained currency in the middle of the 2010s, and how the form, direction, and dissemination of Irish literature have evolved during this period. Obviously, to provide a completely exhaustive account of Irish literature from 2008 to the present would require significantly more space than is available here, and it need hardly be stated that it was not possible to comprehensively survey the entire literary landscape over the course of eight essays, nor was that our intention. Furthermore, although poetry, film, and, to a lesser extent, drama have flour-ished during this period, the scope of this special edition encompasses primarily prose fiction, with some attention paid to non-fiction. The short story and the novel, in particular, have been characterised as central to a current literary “renaissance” in Ireland, and the formal daring and thematic boldness of this new writing has been enabled and engendered by the “agility” and “dynamism of Ireland’s publishing scene.” 1 The authors here engage with some of the key literary directions, trends, and concerns, mostly, though not exclusively, in the work of writers who have emerged over the last decade and a half, and it is our aim that this scholarship will usefully contribute to the growing body of critical work on what now appears, even at this close juncture, to be one of the most significant 10 to 15 years in modern Irish literary history. The phrase “Celtic Phoenix” requires some elucidation. As a locution, it clearly evokes the term “Celtic Tiger” and substitutes the image of a ruthless, rapacious predator with the immortal figure of the phoenix – a periodically self-immolating and miraculously resur-recting bird of myth. While both phrases could be viewed as potentially glib or reductive, they are important signifiers that have gained significant
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