出国旅行了解澳大利亚:格伦·穆卡特对何塞·安东尼奥·柯德奇建筑的观察

Emma López-Bahut
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摘要

本文分析了格伦·穆卡特1973年在巴塞罗那与二十世纪最负国际声誉的西班牙建筑师之一何塞·安东尼奥·柯德奇(1913–1984)会面对其建筑的影响。它揭示了他们最初会面的细节,并探索了Murcutt亲自参观的Coderch设计的建筑。然后,本文通过比较两栋房子来分析这次会议对Murcutt建筑的影响:Laurie Short House(悉尼,1974年)和Marie Short House。对Coderch作品的研究在三个基本方面改变了Murcutt:它促进了他从典型的玻璃亭的转变,促进了Murcut特对连续内部/外部空间的发展,并教会他利用传统地中海建筑和Coderch的作品所特有的垂直遮阳装置和各种百叶窗配置。从Coderch,Murcutt学会了将当代建筑与这个地方的传统联系起来,无论是在物理上还是在象征上。与Coderch会面,并亲自参观他的作品,成为Murcutt职业生涯的转折点,它揭示了西班牙和澳大利亚建筑之间的关键联系。
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Travelling Abroad to Understand Australia: Glenn Murcutt’s Look at the Architecture of José Antonio Coderch
ABSTRACT This paper analyses the impact on Glenn Murcutt’s architecture of his 1973 meeting in Barcelona with José Antonio Coderch (1913–1984), one of the most internationally celebrated Spanish architects of the twentieth century. It uncovers details about their initial meeting and explores buildings designed by Coderch that Murcutt visited in person. The paper then analyses the impact of this meeting on Murcutt’s architecture by comparing two houses: The Laurie Short House (Sydney, 1974), designed immediately before the 1973 trip and finished upon Murcutt’s return to Australia, and the Marie Short House (Kempsey, 1975). The study of Coderch’s work transformed Murcutt in three basic ways: it facilitated his shift away from the archetypal glass pavilion, it spurred Murcutt’s development of continuous interior/exterior spaces and it taught him to exploit vertical sun-shading devices and various shutter configurations that are characteristic of both traditional Mediterranean architecture and Coderch’s work. From Coderch, Murcutt learned to connect contemporary architecture with the tradition of the place, both physically and symbolically. Meeting Coderch, and visiting his works in person, became a turning point in Murcutt’s career and it reveals crucial links between Spanish and Australian architecture.
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0.50
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25.00%
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26
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