悲伤小姐知道什么

IF 0.1 0 LITERATURE, AMERICAN Arizona Quarterly Pub Date : 2021-06-10 DOI:10.1353/arq.2021.0008

S. Teahan

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引用次数: 0

摘要

摘要:本文以伊芙·科索夫斯基·塞奇威克的偏执哥特式小说理论为背景，考察康斯坦斯·费尼莫尔·伍尔森的《忧伤小姐》、霍桑的《出生印记》、詹姆斯的《丛林野兽》、詹姆斯1880年的《伍尔森随笔》和伊丽莎白·马奎尔的《敞开的门》。在偏执哥特式小说中，男主人公害怕被他者操纵，他者的无意识对他者是透明的。通过对关键人物的细读，尤其是《启示录》，我分析了这些星座文本之间的互文联系，并考察了它们对修辞手法的寓言化与偏执的哥特的关系。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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What Miss Grief Knew

Abstract:This essay considers Constance Fenimore Woolson's "Miss Grief," Hawthorne's "The Birth-mark," James's The Beast in the Jungle, his 1880 essay on Woolson, and Elizabeth Maguire's The Open Door against the backdrop of Eve Kosofsky Sedgwick's theory of the paranoid gothic, a quasi-supernatural dynamic in which a male protagonist fears manipulation by an Other to whom his unconsciousness appears transparent. Through close reading of key figures, notably catachresis, I analyze the intertextual connections among these constellated texts and examine their allegorizing of the operation of tropology in relation to the paranoid gothic.

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来源期刊

Arizona Quarterly LITERATURE, AMERICAN-

CiteScore

0.30

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0.00%

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期刊介绍： Arizona Quarterly publishes scholarly essays on American literature, culture, and theory. It is our mission to subject these categories to debate, argument, interpretation, and contestation via critical readings of primary texts. We accept essays that are grounded in textual, formal, cultural, and theoretical examination of texts and situated with respect to current academic conversations whilst extending the boundaries thereof.