{"title":"与莎拉·沃特斯的尴尬邂逅:羞耻、阅读与酷儿主体性","authors":"Muren Zhang","doi":"10.1093/cww/vpab014","DOIUrl":null,"url":null,"abstract":"\n Focusing on Sarah Waters’s Tipping the Velvet (1998) and Affinity (1999), this article examines how the reader-pleasure afforded by contemporary reimaginings of Victorian lesbianism accommodates the complicated emotional response of shame. Through an investigation of how both texts relate queer experience to shame and what narrative strategies facilitate or induce shame in the reader during their reading experience, this article argues that Waters’s work invites a more sophisticated analysis of shame: one that relates to, and arguably reproduces, the empathetic engagement between the text and the reader. In so doing, this article demonstrates the importance of affect and narrative studies in unpacking the complicated reading pleasure afforded by Waters’s writings and its political potentials.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Awkward Encounters with Sarah Waters: Shame, Reading, and Queer Subjectivity\",\"authors\":\"Muren Zhang\",\"doi\":\"10.1093/cww/vpab014\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Focusing on Sarah Waters’s Tipping the Velvet (1998) and Affinity (1999), this article examines how the reader-pleasure afforded by contemporary reimaginings of Victorian lesbianism accommodates the complicated emotional response of shame. Through an investigation of how both texts relate queer experience to shame and what narrative strategies facilitate or induce shame in the reader during their reading experience, this article argues that Waters’s work invites a more sophisticated analysis of shame: one that relates to, and arguably reproduces, the empathetic engagement between the text and the reader. In so doing, this article demonstrates the importance of affect and narrative studies in unpacking the complicated reading pleasure afforded by Waters’s writings and its political potentials.\",\"PeriodicalId\":41852,\"journal\":{\"name\":\"Contemporary Womens Writing\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-08-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary Womens Writing\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/cww/vpab014\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Womens Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/cww/vpab014","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
本文以Sarah Waters的《Tipping the Velvet》(1998)和《Affinity》(1999)为重点,探讨了当代对维多利亚时代女同性恋的重新想象所带来的读者愉悦是如何适应复杂的羞耻情感反应的。通过调查这两篇文章是如何将酷儿经历与羞耻联系起来的,以及读者在阅读过程中哪些叙事策略促进或诱发了羞耻,本文认为沃特斯的作品引发了对羞耻的更复杂的分析:一种与文本和读者之间的移情参与有关,并且可以说是再现的分析。在此过程中,本文展示了情感和叙事研究在解开沃特斯作品所提供的复杂阅读乐趣及其政治潜力方面的重要性。
Awkward Encounters with Sarah Waters: Shame, Reading, and Queer Subjectivity
Focusing on Sarah Waters’s Tipping the Velvet (1998) and Affinity (1999), this article examines how the reader-pleasure afforded by contemporary reimaginings of Victorian lesbianism accommodates the complicated emotional response of shame. Through an investigation of how both texts relate queer experience to shame and what narrative strategies facilitate or induce shame in the reader during their reading experience, this article argues that Waters’s work invites a more sophisticated analysis of shame: one that relates to, and arguably reproduces, the empathetic engagement between the text and the reader. In so doing, this article demonstrates the importance of affect and narrative studies in unpacking the complicated reading pleasure afforded by Waters’s writings and its political potentials.