Florence Nightingale and the Provincial Response to the Crimean War

Florence Nightingale rose to fame early in 1855 at a time when provincialism was assuming unprecedented importance in Victorian culture. The London papers The Times and the Illustrated London News linked Nightingale to the typically provincial domain of the parish and the home: her public image reflecting the wish to extend domestic comfort to soldiers, adrift on foreign land and neglected by uncaring military authorities. Nightingale’s campaigns to improve soldiers’ conditions then galvanized the charitable enthusiasms of households across Britain and its colonies, as the public sent contributions ranging from knitted slippers to bedsheets repurposed as wound dressings on ships to the Crimea. Nightingale subsequently introduced army reading rooms stocked with works of regional and provincial fiction, either as actual volumes or as instalments in periodicals such as Household Words, to bring the imaginative connections between the parish and the Scutari hospitals closer still. While recent work by Stefanie Markovits and Holly Furneaux has shown how the cultural lives of ‘home’ and ‘the East’ were closer than previously thought, I contend that two distinctively provincial features of Nightingale’s place within the conflict have not been sufficiently recognized. First, Nightingale drew on gendered notions of the home and domesticity that were crucial to the provincial as it gained appeal and meaning during the middle of the century. Second, in facilitating imaginative connections between soldiers and the reading public many thousands of miles away, Nightingale showed that the provincial operated most effectively at distance, where its effects were felt most strongly among an increasingly dispersed and fragmented nation.