{"title":"让我们建造自己的房子：政治艺术与黑人和穆斯林世界的形成","authors":"D. Williams","doi":"10.1353/scu.2023.a899709","DOIUrl":null,"url":null,"abstract":"Abstract:This essay discusses the Nation of Islam’s use of the press as an instrument to develop critiques of Black life in the United States and present viable alternatives. Political artists in the Nation of Islam, having shared the same Great Migration life paths as their leader Elijah Muhammad, were key in the organization’s reach, supporting the Nation of Islam in building a national network of distribution sites and a committed membership, which helped the organization to grow and claim membership of over two hundred thousand. By focusing on the Nation’s midcentury publication Muhammad Speaks and its use of political cartoons, this essay explores art as a means to reorient Black geographic thought and political action. Overall, this essay suggests that the Muslim-organized Black press of the 1960s and 1970s played an important role as a counterpublic institution, providing space for Black communities to share experiences and connect their local political struggles to global anticolonial liberation movements.","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Let’s Build Our Own House: Political Art and the Making of Black and Muslim Worlds\",\"authors\":\"D. Williams\",\"doi\":\"10.1353/scu.2023.a899709\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay discusses the Nation of Islam’s use of the press as an instrument to develop critiques of Black life in the United States and present viable alternatives. Political artists in the Nation of Islam, having shared the same Great Migration life paths as their leader Elijah Muhammad, were key in the organization’s reach, supporting the Nation of Islam in building a national network of distribution sites and a committed membership, which helped the organization to grow and claim membership of over two hundred thousand. By focusing on the Nation’s midcentury publication Muhammad Speaks and its use of political cartoons, this essay explores art as a means to reorient Black geographic thought and political action. Overall, this essay suggests that the Muslim-organized Black press of the 1960s and 1970s played an important role as a counterpublic institution, providing space for Black communities to share experiences and connect their local political struggles to global anticolonial liberation movements.\",\"PeriodicalId\":42657,\"journal\":{\"name\":\"SOUTHERN CULTURES\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOUTHERN CULTURES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/scu.2023.a899709\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOUTHERN CULTURES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/scu.2023.a899709","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
Let’s Build Our Own House: Political Art and the Making of Black and Muslim Worlds
Abstract:This essay discusses the Nation of Islam’s use of the press as an instrument to develop critiques of Black life in the United States and present viable alternatives. Political artists in the Nation of Islam, having shared the same Great Migration life paths as their leader Elijah Muhammad, were key in the organization’s reach, supporting the Nation of Islam in building a national network of distribution sites and a committed membership, which helped the organization to grow and claim membership of over two hundred thousand. By focusing on the Nation’s midcentury publication Muhammad Speaks and its use of political cartoons, this essay explores art as a means to reorient Black geographic thought and political action. Overall, this essay suggests that the Muslim-organized Black press of the 1960s and 1970s played an important role as a counterpublic institution, providing space for Black communities to share experiences and connect their local political struggles to global anticolonial liberation movements.
期刊介绍：
In the foreword to the first issue of the The Southern Literary Journal, published in November 1968, founding editors Louis D. Rubin, Jr. and C. Hugh Holman outlined the journal"s objectives: "To study the significant body of southern writing, to try to understand its relationship to the South, to attempt through it to understand an interesting and often vexing region of the American Union, and to do this, as far as possible, with good humor, critical tact, and objectivity--these are the perhaps impossible goals to which The Southern Literary Journal is committed." Since then The Southern Literary Journal has published hundreds of essays by scholars of southern literature examining the works of southern writers and the ongoing development of southern culture.
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