{"title":"被凝视迷住了。洛桑大教堂门廊的雕塑见证","authors":"Adrien Palladino","doi":"10.1484/J.CONVI.4.2019025","DOIUrl":null,"url":null,"abstract":"The sculptures of the Lausanne cathedral's painted porch (1225–1235) are unique testimonies to a fully adorned and painted liminal zone. Focusing on the notions of movement and iconic presence, thi...","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Captivated by Gaze. Sculpture as Witness at the Lausanne Cathedral's Porch\",\"authors\":\"Adrien Palladino\",\"doi\":\"10.1484/J.CONVI.4.2019025\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The sculptures of the Lausanne cathedral's painted porch (1225–1235) are unique testimonies to a fully adorned and painted liminal zone. Focusing on the notions of movement and iconic presence, thi...\",\"PeriodicalId\":40765,\"journal\":{\"name\":\"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1484/J.CONVI.4.2019025\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/J.CONVI.4.2019025","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
Captivated by Gaze. Sculpture as Witness at the Lausanne Cathedral's Porch
The sculptures of the Lausanne cathedral's painted porch (1225–1235) are unique testimonies to a fully adorned and painted liminal zone. Focusing on the notions of movement and iconic presence, thi...
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