{"title":"刘向宝卷:晚明根源与晚清扩散","authors":"K. Alexander","doi":"10.1353/jcr.2021.0002","DOIUrl":null,"url":null,"abstract":"Abstract:Though Liu Xiang baojuan 劉香寶卷 has been widely used as a source for images of women’s religious lives in late imperial China, few studies have looked closely at the text on its own or its literary history and contexts. With roots in late Ming lay Buddhism, as one of the most widely reprinted baojuan in late Qing Jiangnan, to say nothing of its representation in other performance genres in Jiangnan and beyond extending into the Republican period, this story complex deserves focused study. In this article, I explore the tale’s history from the late Ming through the late Qing in order to lay the groundwork for future close readings of the narrative itself.摘要:儘管《劉香寶卷》已被廣泛用於展現明清中國的女性宗教生活形象,但極少有研究著眼於該寶卷文本本身、文本歷史及其語境。植根於晚明在家佛教,《劉香寶卷》是晚清江南重印次數最多的寶卷之一。其在江南及其之外地區的其他表演性體裁中的展現更是延續至民國時期。因此,該故事群值得更為深入的研究。本文探究該文本從晚明至晚清的發展歷史,以此為將來對其敘事本身進行的細讀奠定基礎。","PeriodicalId":53120,"journal":{"name":"Journal of Chinese Religions","volume":"49 1","pages":"49 - 74"},"PeriodicalIF":0.5000,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Precious Scroll of Liu Xiang: Late Ming Roots and Late Qing Proliferation\",\"authors\":\"K. Alexander\",\"doi\":\"10.1353/jcr.2021.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Though Liu Xiang baojuan 劉香寶卷 has been widely used as a source for images of women’s religious lives in late imperial China, few studies have looked closely at the text on its own or its literary history and contexts. With roots in late Ming lay Buddhism, as one of the most widely reprinted baojuan in late Qing Jiangnan, to say nothing of its representation in other performance genres in Jiangnan and beyond extending into the Republican period, this story complex deserves focused study. In this article, I explore the tale’s history from the late Ming through the late Qing in order to lay the groundwork for future close readings of the narrative itself.摘要:儘管《劉香寶卷》已被廣泛用於展現明清中國的女性宗教生活形象,但極少有研究著眼於該寶卷文本本身、文本歷史及其語境。植根於晚明在家佛教,《劉香寶卷》是晚清江南重印次數最多的寶卷之一。其在江南及其之外地區的其他表演性體裁中的展現更是延續至民國時期。因此,該故事群值得更為深入的研究。本文探究該文本從晚明至晚清的發展歷史,以此為將來對其敘事本身進行的細讀奠定基礎。\",\"PeriodicalId\":53120,\"journal\":{\"name\":\"Journal of Chinese Religions\",\"volume\":\"49 1\",\"pages\":\"49 - 74\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2021-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Chinese Religions\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/jcr.2021.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Chinese Religions","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jcr.2021.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 0
摘要
Abstract:Though Liu Xiang baojuan刘香宝卷has been widely used as a source for images of women’s religious lives in late imperial China,few studies have looked closely at the text on its own or its literary history and contexts.With roots in late Ming lay Buddhism,as one of the most widely reprinted baojuan in late Qing Jiangnan,to say nothing of its representation in other performance genres in Jiangnan and beyond extending into the Republican period,this story complex deserves focused study.In this article,I explore the tale’s history from the late Ming through the late Qing in order to lay the groundwork for future close readings of the narrative itself.摘要:尽管《刘香宝卷》已被广泛用于展现明清中国的女性宗教生活形象,但极少有研究着眼于该宝卷文本本身、文本历史及其语境。植根于晚明在家佛教,《刘香宝卷》是晚清江南重印次数最多的宝卷之一。其在江南及其之外地区的其他表演性体裁中的展现更是延续至民国时期。因此,该故事群值得更为深入的研究。本文探究该文本从晚明至晚清的发展历史,以此为将来对其叙事本身进行的细读奠定基础。
The Precious Scroll of Liu Xiang: Late Ming Roots and Late Qing Proliferation
Abstract:Though Liu Xiang baojuan 劉香寶卷 has been widely used as a source for images of women’s religious lives in late imperial China, few studies have looked closely at the text on its own or its literary history and contexts. With roots in late Ming lay Buddhism, as one of the most widely reprinted baojuan in late Qing Jiangnan, to say nothing of its representation in other performance genres in Jiangnan and beyond extending into the Republican period, this story complex deserves focused study. In this article, I explore the tale’s history from the late Ming through the late Qing in order to lay the groundwork for future close readings of the narrative itself.摘要:儘管《劉香寶卷》已被廣泛用於展現明清中國的女性宗教生活形象,但極少有研究著眼於該寶卷文本本身、文本歷史及其語境。植根於晚明在家佛教,《劉香寶卷》是晚清江南重印次數最多的寶卷之一。其在江南及其之外地區的其他表演性體裁中的展現更是延續至民國時期。因此,該故事群值得更為深入的研究。本文探究該文本從晚明至晚清的發展歷史,以此為將來對其敘事本身進行的細讀奠定基礎。
期刊介绍:
The Journal of Chinese Religions is an international, peer-reviewed journal, published under the auspices of the Society for the Study of Chinese Religions (SSCR). Since its founding, the Journal has provided a forum for studies in Chinese religions from a great variety of disciplinary perspectives, including religious studies, philology, history, art history, anthropology, sociology, political science, archaeology, and literary studies. The Journal welcomes original research articles, shorter research notes, essays, and field reports on all aspects of Chinese religions in all historical periods. All submissions need to undergo double-blind peer review before they can be accepted for publication.