{"title":"电源关闭∗","authors":"J. Crary","doi":"10.1162/octo_a_00424","DOIUrl":null,"url":null,"abstract":"Abstract The essay is a brief set of reflections by the author on his book 24/7 five years after its publication and on its possible continuing relevance for artists. It notes the worsening of what the book identified as features of the non-stop operations of global capitalism, including intensifying environmental devastation, widening economic inequality, the deathliness of billionaire culture, and the collapse of longstanding forms of social solidarity and mutual support.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"27-29"},"PeriodicalIF":0.4000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Powering Down∗\",\"authors\":\"J. Crary\",\"doi\":\"10.1162/octo_a_00424\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The essay is a brief set of reflections by the author on his book 24/7 five years after its publication and on its possible continuing relevance for artists. It notes the worsening of what the book identified as features of the non-stop operations of global capitalism, including intensifying environmental devastation, widening economic inequality, the deathliness of billionaire culture, and the collapse of longstanding forms of social solidarity and mutual support.\",\"PeriodicalId\":51557,\"journal\":{\"name\":\"OCTOBER\",\"volume\":\"1 1\",\"pages\":\"27-29\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"OCTOBER\",\"FirstCategoryId\":\"1092\",\"ListUrlMain\":\"https://doi.org/10.1162/octo_a_00424\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"OCTOBER","FirstCategoryId":"1092","ListUrlMain":"https://doi.org/10.1162/octo_a_00424","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Abstract The essay is a brief set of reflections by the author on his book 24/7 five years after its publication and on its possible continuing relevance for artists. It notes the worsening of what the book identified as features of the non-stop operations of global capitalism, including intensifying environmental devastation, widening economic inequality, the deathliness of billionaire culture, and the collapse of longstanding forms of social solidarity and mutual support.
期刊介绍：
At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.
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