摄影凝视与医学凝视:两名变装男子在克里斯特·斯特罗姆霍尔姆的布兰奇广场

IF 0.2 4区 艺术学 0 ART Photography and Culture Pub Date : 2021-01-02 DOI:10.1080/17514517.2020.1788694
Philip Charrier
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引用次数: 2

摘要

摘要1963年,克里斯特·斯特罗姆霍尔姆在巴黎一家酒吧连续几天拍摄了齐祖和卡拉的变装照片。这些图像在Strömholm的Place Blanche档案中是独一无二的,在一张照片中,Zizou是“男人”,Carla是“女人”,而在另一张中,它们发生了切换。齐祖和卡拉是谁?Strömholm的图片说明没有说明。但在他拍下他们的照片两年后,这两名男子接受了一名医学院博士生的采访,该博士生撰写了一篇关于巴黎跨性别和性别不合妓女的论文。Denise Fidanza完成的论文详细总结了两人引发的自我故事。通过比较照片证据和口头证据,可以了解到关于子祖和卡拉的什么?来源在多大程度上一致?我的分析表明,Strömholm的照片和Fidanza的采访传达的信息基本上是平行的。事实上,考虑到这些人只能用化名来识别,如果没有卡拉左臂上独特纹身的确凿视觉证据和菲丹扎论文中齐祖的一张小照片,就不可能有确凿的匹配。Strömholm的照片和Fidanza的采访结合在一起,对20世纪60年代巴黎两个被边缘化的酷儿的生活提供了丰富的见解。
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The Photographic Gaze Meets the Medical Gaze: Two Cross-Dressing Men in Christer Strömholm’s Place Blanche
Abstract In 1963, Christer Strömholm photographed the cross-dressing men Zizou and Carla on successive days in a Paris bar. The images are unique in Strömholm’s Place Blanche archive in that in one photograph Zizou is the “man” and Carla the “woman,” and in the other they switch. Who were Zizou and Carla? Strömholm’s captions for the images do not say. But two years after he photographed them the men were interviewed by a medical school Ph.D. student for a thesis on trans and gender non-conforming prostitutes in Paris. Denise Fidanza’s completed thesis contains detailed summaries of the men’s elicited self-stories. What can be learned about Zizou and Carla by comparing the photographic and verbal evidence? To what extent do the sources align? My analysis reveals that the information conveyed by Strömholm’s photographs and Fidanza’s interviews exists on largely parallel tracks. Indeed, given that the men are identified only by aliases, without the corroborating visual evidence of a distinctive tattoo on Carla’s left arm and a small photograph of Zizou in Fidanza’s thesis, a conclusive match would be impossible. Considered together, Strömholm’s photographs and Fidanza’s interviews provide rich insights into the lives of two marginalized queer men in 1960s Paris.
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0.30
自引率
33.30%
发文量
22
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