{"title":"跨大西洋快照:插图杂志《优雅》(1911-1914)对摄影的承诺","authors":"C. Avilés","doi":"10.19137/anclajes-2022-2619","DOIUrl":null,"url":null,"abstract":": The publishing company founded in Paris by Uruguayan brothers Alfredo and Armando Guido edited a series of magazines aimed at the Spanish-speaking public of Latin America. Between 1911 and 1914, literary editor Rubén Darío sent contributions to two of them, Elegancias and Mundial Magazine . The former, sought female readership on both sides of the Atlantic, was an abundantly illustrated magazine while Elegancias","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Instantáneas transatlánticas: la apuesta por la fotografía de la revista ilustrada \\\"Elegancias\\\" (1911-1914)\",\"authors\":\"C. Avilés\",\"doi\":\"10.19137/anclajes-2022-2619\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": The publishing company founded in Paris by Uruguayan brothers Alfredo and Armando Guido edited a series of magazines aimed at the Spanish-speaking public of Latin America. Between 1911 and 1914, literary editor Rubén Darío sent contributions to two of them, Elegancias and Mundial Magazine . The former, sought female readership on both sides of the Atlantic, was an abundantly illustrated magazine while Elegancias\",\"PeriodicalId\":40458,\"journal\":{\"name\":\"Anclajes\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Anclajes\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.19137/anclajes-2022-2619\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Anclajes","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19137/anclajes-2022-2619","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Instantáneas transatlánticas: la apuesta por la fotografía de la revista ilustrada "Elegancias" (1911-1914)
: The publishing company founded in Paris by Uruguayan brothers Alfredo and Armando Guido edited a series of magazines aimed at the Spanish-speaking public of Latin America. Between 1911 and 1914, literary editor Rubén Darío sent contributions to two of them, Elegancias and Mundial Magazine . The former, sought female readership on both sides of the Atlantic, was an abundantly illustrated magazine while Elegancias