{"title":"德国北部和南部:建筑师Emil Egermann的作品注释,柏林","authors":"Alfons Leitl","doi":"10.1080/17561310.2023.2191756","DOIUrl":null,"url":null,"abstract":"Abstract Published in the German architectural magazine Bauwelt at the end of 1934, Leitl’s article introduces recent buildings in Northern Germany by the Bavarian architect Emil Egermann (c. 1894–1960s). The article presents the buildings exclusively through drawings and black-and-white photographs. The images show the buildings within the local landscape and architectural details that stress the simplicity of the modern designs and the liveability of the buildings. Leitl argues that Germany has given birth to two versions of modern architecture depending on whether one looks at Northern or Southern Germany. The author’s sympathy lies with the southern German version of Modernism that draws on traditions as opposed to the northern German version that adopts ideologies such as functionalism.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"15 1","pages":"58 - 62"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Northern and Southern Germany: Notes on the Works of the Architect Emil Egermann, Berlin\",\"authors\":\"Alfons Leitl\",\"doi\":\"10.1080/17561310.2023.2191756\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Published in the German architectural magazine Bauwelt at the end of 1934, Leitl’s article introduces recent buildings in Northern Germany by the Bavarian architect Emil Egermann (c. 1894–1960s). The article presents the buildings exclusively through drawings and black-and-white photographs. The images show the buildings within the local landscape and architectural details that stress the simplicity of the modern designs and the liveability of the buildings. Leitl argues that Germany has given birth to two versions of modern architecture depending on whether one looks at Northern or Southern Germany. The author’s sympathy lies with the southern German version of Modernism that draws on traditions as opposed to the northern German version that adopts ideologies such as functionalism.\",\"PeriodicalId\":53629,\"journal\":{\"name\":\"Art in Translation\",\"volume\":\"15 1\",\"pages\":\"58 - 62\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art in Translation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17561310.2023.2191756\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art in Translation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17561310.2023.2191756","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Northern and Southern Germany: Notes on the Works of the Architect Emil Egermann, Berlin
Abstract Published in the German architectural magazine Bauwelt at the end of 1934, Leitl’s article introduces recent buildings in Northern Germany by the Bavarian architect Emil Egermann (c. 1894–1960s). The article presents the buildings exclusively through drawings and black-and-white photographs. The images show the buildings within the local landscape and architectural details that stress the simplicity of the modern designs and the liveability of the buildings. Leitl argues that Germany has given birth to two versions of modern architecture depending on whether one looks at Northern or Southern Germany. The author’s sympathy lies with the southern German version of Modernism that draws on traditions as opposed to the northern German version that adopts ideologies such as functionalism.