“去学习”:塞雷尼哈加达的德系犹太人和意大利根源

IF 0.1 0 ART Ars Judaica-The Bar Ilan Journal of Jewish Art Pub Date : 2019-01-24 DOI:10.3828/aj.2018.14.5

Sivan Gottlieb

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引用次数: 0

摘要

摘要:耶路撒冷Umberto Nahon意大利犹太艺术博物馆展出的一份名为《塞雷尼哈加达》(Sereni Haggadah)的逾越节彩绘手稿。859 280/4)是德系犹太人haggadot的意大利北部版本。它显然是由一个德系犹太人抄写员写的，他移民到意大利，并采用了意大利haggadot的某些特征。这些装饰是由几个不同的艺术家完成的。这份手稿几经转手，经过了一系列的修改。

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"Go and Learn": The Ashkenazi and Italian Roots of the Sereni Haggadah

Abstract:An illuminated Passover manuscript known as the Sereni Haggadah (held in the Umberto Nahon Museum of Italian Jewish Art in Jerusalem, Ms. no. 859 280/4) is a north Italian iteration of Ashkenazi haggadot. It was apparently written by an Ashkenazi scribe(s) who had immigrated to Italy and adopted certain features of Italian haggadot. The illuminations were done by several different artists. The manuscript has changed hands many times and has undergone a series of alterations.

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Ars Judaica-The Bar Ilan Journal of Jewish Art ART-

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