{"title":"Kinderheim,Heim,Stammheim:论性别、世代和Gerhard Richter 1977年10月18日的“恐怖女人”","authors":"Henrietta Stanford","doi":"10.1093/oxartj/kcz024","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":"43 1","pages":"117-136"},"PeriodicalIF":0.1000,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/oxartj/kcz024","citationCount":"0","resultStr":"{\"title\":\"Kinderheim, Heim, Stammheim: On Gender, Generation, and the ‘Terrorist Woman’ in Gerhard Richter’s October 18, 1977\",\"authors\":\"Henrietta Stanford\",\"doi\":\"10.1093/oxartj/kcz024\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":44264,\"journal\":{\"name\":\"OXFORD ART JOURNAL\",\"volume\":\"43 1\",\"pages\":\"117-136\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1093/oxartj/kcz024\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"OXFORD ART JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oxartj/kcz024\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"OXFORD ART JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxartj/kcz024","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
期刊介绍:
The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.