{"title":"鱼的盛宴:讽刺、奴役与浪漫主义时期儿童文学","authors":"R. Ritter","doi":"10.3366/rom.2022.0566","DOIUrl":null,"url":null,"abstract":"The pseudonymously authored The Feast of the Fishes (1808) is one of several ‘papillonades’ published for children in the early nineteenth century. Like other papillonades, this short poem depicts anthropomorphic animals in order to offer a satirical perspective on the conventions of polite society. The poem’s playful mock-heroic tone is, however, undermined by its depiction of a shark in pursuit of a slave ship. The image of sharks following slave ships was a potent symbol in abolitionist discourse, but its appearance within this comedic context makes its intended impact difficult to discern. In what spirit is this disturbing image offered? How are readers to make sense of the scarcely veiled horror of what is being depicted both verbally and visually? Addressing these questions, this article reassesses the generic identity of children’s literature and its relationship to the satirical and political discourse of the Romantic period.","PeriodicalId":42939,"journal":{"name":"Romanticism","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Feast of the Fishes: Satire, Slavery and Romantic-Period Children’s Literature\",\"authors\":\"R. Ritter\",\"doi\":\"10.3366/rom.2022.0566\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The pseudonymously authored The Feast of the Fishes (1808) is one of several ‘papillonades’ published for children in the early nineteenth century. Like other papillonades, this short poem depicts anthropomorphic animals in order to offer a satirical perspective on the conventions of polite society. The poem’s playful mock-heroic tone is, however, undermined by its depiction of a shark in pursuit of a slave ship. The image of sharks following slave ships was a potent symbol in abolitionist discourse, but its appearance within this comedic context makes its intended impact difficult to discern. In what spirit is this disturbing image offered? How are readers to make sense of the scarcely veiled horror of what is being depicted both verbally and visually? Addressing these questions, this article reassesses the generic identity of children’s literature and its relationship to the satirical and political discourse of the Romantic period.\",\"PeriodicalId\":42939,\"journal\":{\"name\":\"Romanticism\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Romanticism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/rom.2022.0566\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Romanticism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/rom.2022.0566","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
The Feast of the Fishes: Satire, Slavery and Romantic-Period Children’s Literature
The pseudonymously authored The Feast of the Fishes (1808) is one of several ‘papillonades’ published for children in the early nineteenth century. Like other papillonades, this short poem depicts anthropomorphic animals in order to offer a satirical perspective on the conventions of polite society. The poem’s playful mock-heroic tone is, however, undermined by its depiction of a shark in pursuit of a slave ship. The image of sharks following slave ships was a potent symbol in abolitionist discourse, but its appearance within this comedic context makes its intended impact difficult to discern. In what spirit is this disturbing image offered? How are readers to make sense of the scarcely veiled horror of what is being depicted both verbally and visually? Addressing these questions, this article reassesses the generic identity of children’s literature and its relationship to the satirical and political discourse of the Romantic period.
期刊介绍:
The most distinguished scholarly journal of its kind edited and published in Britain, Romanticism offers a forum for the flourishing diversity of Romantic studies today. Focusing on the period 1750-1850, it publishes critical, historical, textual and bibliographical essays prepared to the highest scholarly standards, reflecting the full range of current methodological and theoretical debate. With an extensive reviews section, Romanticism constitutes a vital international arena for scholarly debate in this liveliest field of literary studies.