寻求现场:作为一名音乐研究生经历COVID-19大流行

IF 0.2 Q3 Arts and Humanities Perfect Beat Pub Date : 2021-08-27 DOI:10.1558/prbt.19268
Alice Rose
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引用次数: 0

摘要

Onaji jikan, Onaji kukan。同样的时间,同样的地点。这些话是我在今年夏天的一次采访中写下的——具有讽刺意味的是,这次采访是在上午9点在牛津和下午5点在大阪进行的。不用说,这不是我在2018年开始攻读博士学位时计划的实地考察,尽管在某些方面,它感觉很适合一篇关于数字技术和“现场”的论文。然而今天,我仍然像我的许多同龄人一样,远远落后,太“迟”了,赶上来似乎几乎是不可能的。在这篇文章中,我反思了共享时间和地点的重要性,不仅在日本的“生活文化”中,而且在我作为研究生的大流行经历中。
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Seeking the live: Experiencing the COVID-19 pandemic as a postgraduate music student
Onaji jikan, onaji kukan. Same time, same place. These are the words I wrote down in an interview this summer—ironically a Zoom interview that took place both at 9 am in Oxford and 5 pm in Osaka. Needless to say, this was not the fieldwork I planned when I began my PhD in 2018, although in some ways it feels fitting for a thesis on digital technologies and the ‘live’. Yet today I remain, like many of my peers, so far behind, so ‘late’, that catching up seems almost impossible. In this article, I reflect on the importance of shared time and place, not only in Japanese ‘live culture’, but also in my experience of the pandemic as a postgraduate student.
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Perfect Beat
Perfect Beat MUSIC-
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