泛亚电影制作和与中国合作:横向合作和纵向抱负

IF 0.3 0 FILM, RADIO, TELEVISION Asian Cinema Pub Date : 2021-02-16 DOI:10.3366/edinburgh/9781474461764.003.0002

Olivia Khoo

{"title":"泛亚电影制作和与中国合作:横向合作和纵向抱负","authors":"Olivia Khoo","doi":"10.3366/edinburgh/9781474461764.003.0002","DOIUrl":null,"url":null,"abstract":"This chapter explores how film industries in Asia have sourced regional funding in the form of pan-Asian collaborations and bilateral co-productions. It takes as its case study Johnnie To’s Hong Kong-China co-production Office (2015) to examine how new funding models and production practices have been developed by Asia’s film industries in response to declining theatrical audiences and changing consumer trends.","PeriodicalId":41198,"journal":{"name":"Asian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2021-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pan-Asian Filmmaking and Co-productions with China: Horizontal Collaborations and Vertical Aspirations\",\"authors\":\"Olivia Khoo\",\"doi\":\"10.3366/edinburgh/9781474461764.003.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter explores how film industries in Asia have sourced regional funding in the form of pan-Asian collaborations and bilateral co-productions. It takes as its case study Johnnie To’s Hong Kong-China co-production Office (2015) to examine how new funding models and production practices have been developed by Asia’s film industries in response to declining theatrical audiences and changing consumer trends.\",\"PeriodicalId\":41198,\"journal\":{\"name\":\"Asian Cinema\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-02-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Asian Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474461764.003.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Asian Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474461764.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}

引用次数: 0

摘要

本章探讨了亚洲的电影产业如何以泛亚合作和双边联合制作的形式获得区域资金。本文以杜琪峰(Johnnie To)的《香港-中国合拍办公室》(2015)为例，研究亚洲电影业如何开发新的融资模式和制作实践，以应对影院观众数量下降和消费趋势的变化。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文

微信好友朋友圈 QQ好友复制链接

本刊更多论文

Pan-Asian Filmmaking and Co-productions with China: Horizontal Collaborations and Vertical Aspirations

This chapter explores how film industries in Asia have sourced regional funding in the form of pan-Asian collaborations and bilateral co-productions. It takes as its case study Johnnie To’s Hong Kong-China co-production Office (2015) to examine how new funding models and production practices have been developed by Asia’s film industries in response to declining theatrical audiences and changing consumer trends.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Asian Cinema FILM, RADIO, TELEVISION-

CiteScore

0.60

自引率

0.00%

发文量