{"title":"新冠肺炎与英国爵士音乐家","authors":"Elina Hytönen-Ng","doi":"10.1558/jwpm.23355","DOIUrl":null,"url":null,"abstract":"Jazz is a genre that relies heavily on live performance. It is therefore understandable that the COVID-19 related lockdown greatly affected jazz musicians. In this article, I reflect on London-based jazz musicians’ stories by using the idea of “liminal state”, as conceptualized by Arnold van Gennep (1960) and Victor Turner (1982), examining how they described the lockdown, in particular the financial and emotional impacts it had on them. Between spring 2020 and spring 2021, ten structured theme interviews with jazz musicians were conducted. The article commences by overviewing the data gathered and the ethical procedures adopted, after which I examine the overall emotional and psychological effects that COVID-19 had on jazz musicians who participate in live music. After reflecting on the support that the musicians have received during the pandemic, the article proceeds to outline the new skills that the musicians learned during lockdown.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"COVID-19 and British Jazz Musicians\",\"authors\":\"Elina Hytönen-Ng\",\"doi\":\"10.1558/jwpm.23355\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Jazz is a genre that relies heavily on live performance. It is therefore understandable that the COVID-19 related lockdown greatly affected jazz musicians. In this article, I reflect on London-based jazz musicians’ stories by using the idea of “liminal state”, as conceptualized by Arnold van Gennep (1960) and Victor Turner (1982), examining how they described the lockdown, in particular the financial and emotional impacts it had on them. Between spring 2020 and spring 2021, ten structured theme interviews with jazz musicians were conducted. The article commences by overviewing the data gathered and the ethical procedures adopted, after which I examine the overall emotional and psychological effects that COVID-19 had on jazz musicians who participate in live music. After reflecting on the support that the musicians have received during the pandemic, the article proceeds to outline the new skills that the musicians learned during lockdown.\",\"PeriodicalId\":40750,\"journal\":{\"name\":\"Journal of World Popular Music\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-06-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of World Popular Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/jwpm.23355\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of World Popular Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jwpm.23355","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Jazz is a genre that relies heavily on live performance. It is therefore understandable that the COVID-19 related lockdown greatly affected jazz musicians. In this article, I reflect on London-based jazz musicians’ stories by using the idea of “liminal state”, as conceptualized by Arnold van Gennep (1960) and Victor Turner (1982), examining how they described the lockdown, in particular the financial and emotional impacts it had on them. Between spring 2020 and spring 2021, ten structured theme interviews with jazz musicians were conducted. The article commences by overviewing the data gathered and the ethical procedures adopted, after which I examine the overall emotional and psychological effects that COVID-19 had on jazz musicians who participate in live music. After reflecting on the support that the musicians have received during the pandemic, the article proceeds to outline the new skills that the musicians learned during lockdown.
期刊介绍:
Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.