{"title":"新俄罗斯文学新闻中的记忆与记忆(以尤利娅·尤兹克和瓦列里·潘尤什金的报告文学作品为例)","authors":"Grzegorz Czerwiński","doi":"10.1016/j.ruslit.2022.07.001","DOIUrl":null,"url":null,"abstract":"<div><p><span>The article focuses on the issues of memories and memory in new Russian book reportage. The research is based on work by opposition journalists: Yulia Yuzik (born 1981) and Valery Panyushkin (born 1969). The article’s basic assumption is that in the case of literary journalism, the memory of informants and the reporter’s own memory are the main source of factual data, alongside documents and material testimonies. This memory is subject to distortion and filtration – it changes over time and is subject to social influences. The analysis is based on theoretical works by Paul Connerton, Aleida Assmann, Paul Ricœur, and others. The article also draws attention to the fact that the way in which passages of reportage – which are based on the </span>narrative of memory – are shaped in formal terms may resemble memoir and autobiography. The main thesis of the article is the belief that the role of the journalist consists not only in juxtaposing various points of view (their own, the informants’ points of view), but also in confronting the memories of individual witnesses.</p></div>","PeriodicalId":43192,"journal":{"name":"RUSSIAN LITERATURE","volume":"133 ","pages":"Pages 49-77"},"PeriodicalIF":0.3000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Memories and Memory in New Russian Literary Journalism (Illustrated with Reference to Reportage Books by Yulia Yuzik and Valery Panyushkin)\",\"authors\":\"Grzegorz Czerwiński\",\"doi\":\"10.1016/j.ruslit.2022.07.001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div><p><span>The article focuses on the issues of memories and memory in new Russian book reportage. The research is based on work by opposition journalists: Yulia Yuzik (born 1981) and Valery Panyushkin (born 1969). The article’s basic assumption is that in the case of literary journalism, the memory of informants and the reporter’s own memory are the main source of factual data, alongside documents and material testimonies. This memory is subject to distortion and filtration – it changes over time and is subject to social influences. The analysis is based on theoretical works by Paul Connerton, Aleida Assmann, Paul Ricœur, and others. The article also draws attention to the fact that the way in which passages of reportage – which are based on the </span>narrative of memory – are shaped in formal terms may resemble memoir and autobiography. The main thesis of the article is the belief that the role of the journalist consists not only in juxtaposing various points of view (their own, the informants’ points of view), but also in confronting the memories of individual witnesses.</p></div>\",\"PeriodicalId\":43192,\"journal\":{\"name\":\"RUSSIAN LITERATURE\",\"volume\":\"133 \",\"pages\":\"Pages 49-77\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RUSSIAN LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://www.sciencedirect.com/science/article/pii/S0304347922000692\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, SLAVIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RUSSIAN LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://www.sciencedirect.com/science/article/pii/S0304347922000692","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, SLAVIC","Score":null,"Total":0}
Memories and Memory in New Russian Literary Journalism (Illustrated with Reference to Reportage Books by Yulia Yuzik and Valery Panyushkin)
The article focuses on the issues of memories and memory in new Russian book reportage. The research is based on work by opposition journalists: Yulia Yuzik (born 1981) and Valery Panyushkin (born 1969). The article’s basic assumption is that in the case of literary journalism, the memory of informants and the reporter’s own memory are the main source of factual data, alongside documents and material testimonies. This memory is subject to distortion and filtration – it changes over time and is subject to social influences. The analysis is based on theoretical works by Paul Connerton, Aleida Assmann, Paul Ricœur, and others. The article also draws attention to the fact that the way in which passages of reportage – which are based on the narrative of memory – are shaped in formal terms may resemble memoir and autobiography. The main thesis of the article is the belief that the role of the journalist consists not only in juxtaposing various points of view (their own, the informants’ points of view), but also in confronting the memories of individual witnesses.
期刊介绍:
Russian Literature combines issues devoted to special topics of Russian literature with contributions on related subjects in Croatian, Serbian, Czech, Slovak and Polish literatures. Moreover, several issues each year contain articles on heterogeneous subjects concerning Russian Literature. All methods and viewpoints are welcomed, provided they contribute something new, original or challenging to our understanding of Russian and other Slavic literatures. Russian Literature regularly publishes special issues devoted to: • the historical avant-garde in Russian literature and in the other Slavic literatures • the development of descriptive and theoretical poetics in Russian studies and in studies of other Slavic fields.