{"title":"同居的诗学:口头创作的生态符号学理论","authors":"Ignasi Ribó","doi":"10.1215/03335372-9780431","DOIUrl":null,"url":null,"abstract":"\n This article exposes the principles of an ecosemiotic theory of oral poiesis, which conceives of singing as a highly specific habit or skilled practice within the human domain of languaging. It is claimed that oral poiesis may contribute to the semiotic alignment of human and nonhuman own-worlds (Umwelten), playing a role in processes of structural coupling within a habitat, understood as a hybrid assemblage or collective of multispecies inhabitants. The article describes how oral poiesis, as a modeling system, contributes to sustaining the various modes of identification that characterize collective human ontologies (animism, naturalism, totemism, analogism) through distinctive operations of symbolization (literality, metaphor, metonymy, analogy). These modes of ecopoetic symbolization serve to bring nonhumans, such as animals, plants, mountains, or rivers, into human own-worlds. Moreover, as one of many skilled practices of humans, oral poiesis is characterized by certain intrinsic features, such as attention, play, feeling, ritualization, musicality, or remembrance, which contribute to human sociality and hence to a system-wide relationality. All these elements constitute the foundations of a poetics of cohabitation.","PeriodicalId":46669,"journal":{"name":"POETICS TODAY","volume":" ","pages":""},"PeriodicalIF":0.8000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Poetics of Cohabitation: An Ecosemiotic Theory of Oral Poiesis\",\"authors\":\"Ignasi Ribó\",\"doi\":\"10.1215/03335372-9780431\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This article exposes the principles of an ecosemiotic theory of oral poiesis, which conceives of singing as a highly specific habit or skilled practice within the human domain of languaging. It is claimed that oral poiesis may contribute to the semiotic alignment of human and nonhuman own-worlds (Umwelten), playing a role in processes of structural coupling within a habitat, understood as a hybrid assemblage or collective of multispecies inhabitants. The article describes how oral poiesis, as a modeling system, contributes to sustaining the various modes of identification that characterize collective human ontologies (animism, naturalism, totemism, analogism) through distinctive operations of symbolization (literality, metaphor, metonymy, analogy). These modes of ecopoetic symbolization serve to bring nonhumans, such as animals, plants, mountains, or rivers, into human own-worlds. Moreover, as one of many skilled practices of humans, oral poiesis is characterized by certain intrinsic features, such as attention, play, feeling, ritualization, musicality, or remembrance, which contribute to human sociality and hence to a system-wide relationality. All these elements constitute the foundations of a poetics of cohabitation.\",\"PeriodicalId\":46669,\"journal\":{\"name\":\"POETICS TODAY\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.8000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POETICS TODAY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/03335372-9780431\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POETICS TODAY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/03335372-9780431","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Poetics of Cohabitation: An Ecosemiotic Theory of Oral Poiesis
This article exposes the principles of an ecosemiotic theory of oral poiesis, which conceives of singing as a highly specific habit or skilled practice within the human domain of languaging. It is claimed that oral poiesis may contribute to the semiotic alignment of human and nonhuman own-worlds (Umwelten), playing a role in processes of structural coupling within a habitat, understood as a hybrid assemblage or collective of multispecies inhabitants. The article describes how oral poiesis, as a modeling system, contributes to sustaining the various modes of identification that characterize collective human ontologies (animism, naturalism, totemism, analogism) through distinctive operations of symbolization (literality, metaphor, metonymy, analogy). These modes of ecopoetic symbolization serve to bring nonhumans, such as animals, plants, mountains, or rivers, into human own-worlds. Moreover, as one of many skilled practices of humans, oral poiesis is characterized by certain intrinsic features, such as attention, play, feeling, ritualization, musicality, or remembrance, which contribute to human sociality and hence to a system-wide relationality. All these elements constitute the foundations of a poetics of cohabitation.
期刊介绍:
International Journal for Theory and Analysis of Literature and Communication Poetics Today brings together scholars from throughout the world who are concerned with developing systematic approaches to the study of literature (e.g., semiotics and narratology) and with applying such approaches to the interpretation of literary works. Poetics Today presents a remarkable diversity of methodologies and examines a wide range of literary and critical topics. Several thematic review sections or special issues are published in each volume, and each issue contains a book review section, with article-length review essays.