{"title":"Netflix原创纪录片解释道:纪录片和连续剧的全球投资模式","authors":"Catalina Iordache, T. Raats, Sam Mombaerts","doi":"10.1080/17503280.2022.2109099","DOIUrl":null,"url":null,"abstract":"ABSTRACT Subscription video-on-demand services have been increasingly moving away from licencing content to producing their own content. The ‘original’ label is applied to different types of productions for which streaming platforms own exclusive rights, usually worldwide and for specific periods. This has also been part of Netflix’s global strategy to attract new and existing subscribers. Research into the Netflix Original has become particularly relevant, due to its impact on audiovisual markets and the label’s opacity. This article focuses on Netflix investments in original documentaries, due to the genre’s growing popularity and the platform’s notable interest in documentary films and series. The analysis focuses on the company’s strategies and investment patterns in specific regions, languages and genres over time by mapping all documentary titles produced between 2012–2021 labelled as ‘Netflix Original’, resulting in a database of 479 titles. We found that investments in original documentaries have been growing over the years, and the large majority of these are commissions or exclusive titles. The transnational production and distribution of Netflix Original documentaries reflect wider changes in cultural trade brought on by the streaming model. However, the company’s investment strategy is also influenced by established market dynamics and financing practices in documentary production.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"17 1","pages":"151 - 171"},"PeriodicalIF":0.5000,"publicationDate":"2022-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"The Netflix Original documentary, explained: global investment patterns in documentary films and series\",\"authors\":\"Catalina Iordache, T. Raats, Sam Mombaerts\",\"doi\":\"10.1080/17503280.2022.2109099\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Subscription video-on-demand services have been increasingly moving away from licencing content to producing their own content. The ‘original’ label is applied to different types of productions for which streaming platforms own exclusive rights, usually worldwide and for specific periods. This has also been part of Netflix’s global strategy to attract new and existing subscribers. Research into the Netflix Original has become particularly relevant, due to its impact on audiovisual markets and the label’s opacity. This article focuses on Netflix investments in original documentaries, due to the genre’s growing popularity and the platform’s notable interest in documentary films and series. The analysis focuses on the company’s strategies and investment patterns in specific regions, languages and genres over time by mapping all documentary titles produced between 2012–2021 labelled as ‘Netflix Original’, resulting in a database of 479 titles. We found that investments in original documentaries have been growing over the years, and the large majority of these are commissions or exclusive titles. The transnational production and distribution of Netflix Original documentaries reflect wider changes in cultural trade brought on by the streaming model. However, the company’s investment strategy is also influenced by established market dynamics and financing practices in documentary production.\",\"PeriodicalId\":43545,\"journal\":{\"name\":\"Studies in Documentary Film\",\"volume\":\"17 1\",\"pages\":\"151 - 171\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-08-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Documentary Film\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17503280.2022.2109099\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Documentary Film","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17503280.2022.2109099","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
The Netflix Original documentary, explained: global investment patterns in documentary films and series
ABSTRACT Subscription video-on-demand services have been increasingly moving away from licencing content to producing their own content. The ‘original’ label is applied to different types of productions for which streaming platforms own exclusive rights, usually worldwide and for specific periods. This has also been part of Netflix’s global strategy to attract new and existing subscribers. Research into the Netflix Original has become particularly relevant, due to its impact on audiovisual markets and the label’s opacity. This article focuses on Netflix investments in original documentaries, due to the genre’s growing popularity and the platform’s notable interest in documentary films and series. The analysis focuses on the company’s strategies and investment patterns in specific regions, languages and genres over time by mapping all documentary titles produced between 2012–2021 labelled as ‘Netflix Original’, resulting in a database of 479 titles. We found that investments in original documentaries have been growing over the years, and the large majority of these are commissions or exclusive titles. The transnational production and distribution of Netflix Original documentaries reflect wider changes in cultural trade brought on by the streaming model. However, the company’s investment strategy is also influenced by established market dynamics and financing practices in documentary production.
期刊介绍:
Studies in Documentary Film is the first refereed scholarly journal devoted to the history, theory, criticism and practice of documentary film. In recent years we have witnessed an increased visibility for documentary film through conferences, the success of general theatrical releases and the re-emergence of scholarship in documentary film studies. Studies in Documentary Film is a peer-reviewed journal.