{"title":"表演Theocritus的Pharmakeutria:揭示希腊化的巫术","authors":"Marguerite Johnson, Nicole Kimball","doi":"10.1353/are.2021.0005","DOIUrl":null,"url":null,"abstract":"Abstract:Theocritus's Idyll 2(c. 280–60 B.C.E.) is the finest surviving example of what the Greeks called mime, a short spoken play for one to four actors that was probably performed without props. This article addresses the performativity of Idyll 2 through a scholarly exegesis based on a research project that set out to investigate how this monologue could be successfully performed on the modern stage and how it might first have been performed in Alexandria over two millennia ago. The authors of this article, the dramaturge and research assistant, respectively, concentrate on what such an intensive process could reveal about the ancient Greek magic contained in the text and the representation of the sorceress Simaitha.","PeriodicalId":44750,"journal":{"name":"ARETHUSA","volume":"54 1","pages":"163 - 184"},"PeriodicalIF":0.2000,"publicationDate":"2021-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Performing Theocritus's Pharmakeutria: Revealing Hellenistic Witchcraft\",\"authors\":\"Marguerite Johnson, Nicole Kimball\",\"doi\":\"10.1353/are.2021.0005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Theocritus's Idyll 2(c. 280–60 B.C.E.) is the finest surviving example of what the Greeks called mime, a short spoken play for one to four actors that was probably performed without props. This article addresses the performativity of Idyll 2 through a scholarly exegesis based on a research project that set out to investigate how this monologue could be successfully performed on the modern stage and how it might first have been performed in Alexandria over two millennia ago. The authors of this article, the dramaturge and research assistant, respectively, concentrate on what such an intensive process could reveal about the ancient Greek magic contained in the text and the representation of the sorceress Simaitha.\",\"PeriodicalId\":44750,\"journal\":{\"name\":\"ARETHUSA\",\"volume\":\"54 1\",\"pages\":\"163 - 184\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-12-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARETHUSA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/are.2021.0005\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARETHUSA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/are.2021.0005","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
Abstract:Theocritus's Idyll 2(c. 280–60 B.C.E.) is the finest surviving example of what the Greeks called mime, a short spoken play for one to four actors that was probably performed without props. This article addresses the performativity of Idyll 2 through a scholarly exegesis based on a research project that set out to investigate how this monologue could be successfully performed on the modern stage and how it might first have been performed in Alexandria over two millennia ago. The authors of this article, the dramaturge and research assistant, respectively, concentrate on what such an intensive process could reveal about the ancient Greek magic contained in the text and the representation of the sorceress Simaitha.
期刊介绍:
Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.