执行集体现场机构

IF 0.2 0 DANCE Journal of Dance & Somatic Practices Pub Date : 2020-08-01 DOI:10.1386/jdsp_00017_1

Patrícia Caetano, R. Torralba, C. Resende, Maurílio M. Lima

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引用次数: 0

摘要

文本旨在将身体实践呈现为一种理性的政治，同时扩大微观感知维度，创造一个集体的场体，在反叛体之间进行联系和相互关爱。一个悲剧事件引发了一场表演性的身体传染经历：2018年3月，里约热内卢市议员玛丽埃勒·弗兰科被谋杀。面对这一事件，我们试图将痛苦的肯定理解为一种反抗和重新存在的形式，以及与屠杀尸体的力量对抗的根源。

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Performing a collective-field-body

The text aims to present somatic practices as a politics of the sensible that, at the same time, enlarges the microperceptive dimension and creates a collective-field-body, performing connections and mutual affections between insurgent bodies. A tragic event was the trigger of a performative-somatic contagion experience: the murder of Marielle Franco, a Rio de Janeiro city councilwoman, on March 2018. In the face of this event, we seek to understand the pain affirmation as a form of resistance and re-existence, as well as a source of confrontation with a power that slaughters bodies.

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来源期刊

Journal of Dance & Somatic Practices DANCE-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.