{"title":"犹太美丽女王米里亚姆的悲剧:文艺复兴时期戏剧的女权主义建议","authors":"Gorman Beauchamp","doi":"10.51845/35.1.11","DOIUrl":null,"url":null,"abstract":"Academic feminists go to some pretty strange lengths to ensure that female “writers” are well-represented in the literary canon of the Renaissance. Gorman Beauchamp considers the strange case of Elizabeth Cary’s The Tragedy of Miriam, The Fair Queen of Jewry.","PeriodicalId":35247,"journal":{"name":"Academic Questions","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Tragedy of Miriam, The Fair Queen of Jewry: The Feminist Sop for Renaissance Drama\",\"authors\":\"Gorman Beauchamp\",\"doi\":\"10.51845/35.1.11\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Academic feminists go to some pretty strange lengths to ensure that female “writers” are well-represented in the literary canon of the Renaissance. Gorman Beauchamp considers the strange case of Elizabeth Cary’s The Tragedy of Miriam, The Fair Queen of Jewry.\",\"PeriodicalId\":35247,\"journal\":{\"name\":\"Academic Questions\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Academic Questions\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.51845/35.1.11\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Academic Questions","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.51845/35.1.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0
摘要
学术女权主义者为了确保女性“作家”在文艺复兴时期的文学经典中有很好的代表性，付出了一些相当奇怪的努力。戈尔曼·波尚（Gorman Beauchamp）认为伊丽莎白·卡里（Elizabeth Cary）的《美丽的犹太女王米里亚姆的悲剧》（the Tragedy of Miriam，the Fair Queen of Jewry）是一个奇怪的案例。
The Tragedy of Miriam, The Fair Queen of Jewry: The Feminist Sop for Renaissance Drama
Academic feminists go to some pretty strange lengths to ensure that female “writers” are well-represented in the literary canon of the Renaissance. Gorman Beauchamp considers the strange case of Elizabeth Cary’s The Tragedy of Miriam, The Fair Queen of Jewry.
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