{"title":"\"世界真是一团糟!\"","authors":"Hendrik Nolde","doi":"10.1515/iasl-2022-0027","DOIUrl":null,"url":null,"abstract":"Abstract Berthold Auerbach’s Schwarzwälder Dorfgeschichten can be read as an early example of observations on the notion of time-space compression. In these provincial tales, the new technology of the railroad often functions as both a literary theme and a narrative device that links the microcosm of the village with the macrocosm of the world at large, thereby enabling a specific perspective on the processes of globalization in the 19th century.","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"47 1","pages":"515 - 533"},"PeriodicalIF":0.2000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"„Welch ein Wirrsal ist die Welt!“\",\"authors\":\"Hendrik Nolde\",\"doi\":\"10.1515/iasl-2022-0027\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Berthold Auerbach’s Schwarzwälder Dorfgeschichten can be read as an early example of observations on the notion of time-space compression. In these provincial tales, the new technology of the railroad often functions as both a literary theme and a narrative device that links the microcosm of the village with the macrocosm of the world at large, thereby enabling a specific perspective on the processes of globalization in the 19th century.\",\"PeriodicalId\":42506,\"journal\":{\"name\":\"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR\",\"volume\":\"47 1\",\"pages\":\"515 - 533\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/iasl-2022-0027\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/iasl-2022-0027","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
Abstract Berthold Auerbach’s Schwarzwälder Dorfgeschichten can be read as an early example of observations on the notion of time-space compression. In these provincial tales, the new technology of the railroad often functions as both a literary theme and a narrative device that links the microcosm of the village with the macrocosm of the world at large, thereby enabling a specific perspective on the processes of globalization in the 19th century.
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