从行动艺术到Instagram上的野兽派:新抗议地理的迁移和即时性

Asunción Bernárdez Rodal, G. Castillo, Roxana Popelka Sosa Sánchez
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引用次数: 17

摘要

这篇文章论述了“行动艺术”的概念是如何转变为“野兽派”的,“动作艺术”主要来自1968年5月欧洲的反文化运动。主要的假设是,这是一系列致力于抗议的艺术,由两个基本要素转变:社交网络的出现和非常年轻的观众通过这个网络接触艺术创作。这种类型的创造性行动具有城市特征,与民间抗议运动密切相关。在第二部分中,本文讨论了这两个术语如何作为Instagram标签在这个异地网络世界中传播。这些术语用来表明,除了超越国家领土之外,新的、重要的地理位置正在不断重建。
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From Action Art to Artivism on Instagram: Relocation and instantaneity for a new geography of protest
This article addresses how the concept of ‘Action Art’, which came mainly from the anti-cultural movements of May 1968 in Europe, has been transformed into the term Artivism. The main hypothesis is that it is a succession of committed and protest art, transformed by two fundamental elements: the emergence of social networks and the exposure of a very young audience to artistic creation through this network. This type of creative action has acquired an urban character that is strongly linked to civil protest movements. In the second part, this article discusses how both terms circulate as Instagram hashtags in this delocalized world of networks. The terms are used to show that, beyond transcending national territories, new, significant geographies are continually being reconstructed.
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来源期刊
CiteScore
1.20
自引率
20.00%
发文量
14
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