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引用次数: 0
摘要
本文探讨了两位法国-黎巴嫩艺术家Lamia ziad和Zeina abirach的主要图画小说中的战争主题。根据三方计划,它将仔细审查艺术家的绘画和圣经美学,包括拜拜巴比伦(2010),Ô nuit, Ô mes yeux(2015)和ziad的Ma tr grande m lancolie arabe(2017)以及Le Jeu des hirondelles: mourir partir revenir (2007), Je souviens: Beirut(2008)和Prendre refuge(2018)。这篇文章考察了每位作者对中东历史,尤其是黎巴嫩历史的研究方法,以及所谓的“记忆责任”对那些表现出明显自传式诱惑的人的影响。
Le Roman graphique face aux tragédies contemporaines: le cas de Lamia Ziadé et de Zeina Abirached
This article explores the theme of war in the main graphic novels of Lamia Ziadé and Zeina Abirached, two Franco-Lebanese artists. Following a tripartite plan, it scrutinizes the pictorial and scriptural aesthetics of the artists in Bye Bye Babylond (2010), Ô nuit, Ô mes yeux (2015) and Ma très grande mélancolie arabe (2017) by Ziadé and in Le Jeu des hirondelles: mourir partir revenir (2007), Je souviens: Beirut (2008) and Prendre refuge (2018) by Abirached. The article examines each author’s approach to the history of the Middle East, especially that of Lebanon, as well as the impact of the so-called ‘duty of memory’ on bandes dessinés that manifest a clear autobiographical temptation.
期刊介绍:
Nottingham French Studies is an externally-refereed academic journal which, from Volume 43, 2004, appears three times annually, with at least one special and one general issue each year. Its Editorial Board is drawn from members of the Department of French and Francophone Studies of the University of Nottingham, with the support of an International Advisory Board.