{"title":"希腊圣母玛利亚与威尼斯时尚","authors":"M. Bacci","doi":"10.1484/j.convi.5.121176","DOIUrl":null,"url":null,"abstract":"In the second half of the fourteenth century, a large number of icons, made by Greek or Palaiologan-trained artists working in either Venice or Crete, enjoyed a wide circulation in the Mediterranea...","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":"7 1","pages":"152-177"},"PeriodicalIF":0.2000,"publicationDate":"2020-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Greek Madonnas and Venetian Fashion\",\"authors\":\"M. Bacci\",\"doi\":\"10.1484/j.convi.5.121176\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the second half of the fourteenth century, a large number of icons, made by Greek or Palaiologan-trained artists working in either Venice or Crete, enjoyed a wide circulation in the Mediterranea...\",\"PeriodicalId\":40765,\"journal\":{\"name\":\"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean\",\"volume\":\"7 1\",\"pages\":\"152-177\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-07-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1484/j.convi.5.121176\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/j.convi.5.121176","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
In the second half of the fourteenth century, a large number of icons, made by Greek or Palaiologan-trained artists working in either Venice or Crete, enjoyed a wide circulation in the Mediterranea...
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