{"title":"给沈渊一句话","authors":"R. Whitfield","doi":"10.1215/00666637-8866698","DOIUrl":null,"url":null,"abstract":"abstract:This paper discusses the roles of Shen Yuan, an artist at the Yongzheng court, who produced the monochrome cartoon of Qingming shanghe tu, and of the five court artists who produced the final version in colors on silk. Their respective contributions show that Shen Yuan used details from Zhang Zeduan's Songdynasty original and later versions to create an entirely new composition. The five court artists adhered closely to Shen Yuan's cartoon, while adding some embellishments. The unusual honor accorded to the cartoon, bearing seals of Prince Bao, and mounted with the same brocade as Qiu Ying's version, highlight Shen Yuan's seminal role, despite his name not appearing in the finished painting.","PeriodicalId":41400,"journal":{"name":"ARCHIVES OF ASIAN ART","volume":"71 1","pages":"123 - 129"},"PeriodicalIF":0.2000,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Word for Shen Yuan\",\"authors\":\"R. Whitfield\",\"doi\":\"10.1215/00666637-8866698\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:This paper discusses the roles of Shen Yuan, an artist at the Yongzheng court, who produced the monochrome cartoon of Qingming shanghe tu, and of the five court artists who produced the final version in colors on silk. Their respective contributions show that Shen Yuan used details from Zhang Zeduan's Songdynasty original and later versions to create an entirely new composition. The five court artists adhered closely to Shen Yuan's cartoon, while adding some embellishments. The unusual honor accorded to the cartoon, bearing seals of Prince Bao, and mounted with the same brocade as Qiu Ying's version, highlight Shen Yuan's seminal role, despite his name not appearing in the finished painting.\",\"PeriodicalId\":41400,\"journal\":{\"name\":\"ARCHIVES OF ASIAN ART\",\"volume\":\"71 1\",\"pages\":\"123 - 129\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARCHIVES OF ASIAN ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/00666637-8866698\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARCHIVES OF ASIAN ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/00666637-8866698","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
abstract:This paper discusses the roles of Shen Yuan, an artist at the Yongzheng court, who produced the monochrome cartoon of Qingming shanghe tu, and of the five court artists who produced the final version in colors on silk. Their respective contributions show that Shen Yuan used details from Zhang Zeduan's Songdynasty original and later versions to create an entirely new composition. The five court artists adhered closely to Shen Yuan's cartoon, while adding some embellishments. The unusual honor accorded to the cartoon, bearing seals of Prince Bao, and mounted with the same brocade as Qiu Ying's version, highlight Shen Yuan's seminal role, despite his name not appearing in the finished painting.
期刊介绍：
Since its establishment in 1945, Archives of Asian Art has been devoted to publishing new scholarship on the art and architecture of South, Southeast, Central, and East Asia. Articles discuss premodern and contemporary visual arts, archaeology, architecture, and the history of collecting. To maintain a balanced representation of regions and types of art and to present a variety of scholarly perspectives, the editors encourage submissions in all areas of study related to Asian art and architecture. Every issue is fully illustrated (with color plates in the online version), and each fall issue includes an illustrated compendium of recent acquisitions of Asian art by leading museums and collections. Archives of Asian Art is a publication of Asia Society.
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