Iltja Ntjarra艺术家与当代流明版画的制作:文献、展示和存储

Q2 Arts and Humanities AICCM Bulletin Pub Date : 2022-01-02 DOI:10.1080/10344233.2022.2150488
Analiese Treacy, J. Dennis
{"title":"Iltja Ntjarra艺术家与当代流明版画的制作:文献、展示和存储","authors":"Analiese Treacy, J. Dennis","doi":"10.1080/10344233.2022.2150488","DOIUrl":null,"url":null,"abstract":"Mparra Karrti—Us mob belong to the Country, is the collective title attributed to a series of twenty-two lumen prints on paper with watercolour media, produced by Central Desert region artists. The artists work out of the Iltja Ntjarra (Many Hands) Art Centre in Mparntwe (Alice Springs) with their practices inherited and learned through lineage traced back to Albert Namatjira and the Hermannsburg School of watercolour painting. The artists’ novel approach to painting in watercolour on photo-sensitised paper resulted in a unique visual aesthetic of cockling throughout the sheets, requiring that the works be presented ‘floating’ on the wall with no mounting visible. This technical paper details the innovative approaches used by the artists in making these distinctive works and the subsequent methodologies applied by the Art Gallery of NSW team in preparing them for display in The National 2019: new Australian Art. The paper highlights the importance of knowledge sharing amongst artists, facilitators, curators, conservators and wider teams to ensure both the physical and intrinsic values of such works are fully acknowledged and understood.","PeriodicalId":7847,"journal":{"name":"AICCM Bulletin","volume":"43 1","pages":"40 - 47"},"PeriodicalIF":0.0000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Iltja Ntjarra artists and the making of contemporary lumen prints: documentation, display and storage\",\"authors\":\"Analiese Treacy, J. Dennis\",\"doi\":\"10.1080/10344233.2022.2150488\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Mparra Karrti—Us mob belong to the Country, is the collective title attributed to a series of twenty-two lumen prints on paper with watercolour media, produced by Central Desert region artists. The artists work out of the Iltja Ntjarra (Many Hands) Art Centre in Mparntwe (Alice Springs) with their practices inherited and learned through lineage traced back to Albert Namatjira and the Hermannsburg School of watercolour painting. The artists’ novel approach to painting in watercolour on photo-sensitised paper resulted in a unique visual aesthetic of cockling throughout the sheets, requiring that the works be presented ‘floating’ on the wall with no mounting visible. This technical paper details the innovative approaches used by the artists in making these distinctive works and the subsequent methodologies applied by the Art Gallery of NSW team in preparing them for display in The National 2019: new Australian Art. The paper highlights the importance of knowledge sharing amongst artists, facilitators, curators, conservators and wider teams to ensure both the physical and intrinsic values of such works are fully acknowledged and understood.\",\"PeriodicalId\":7847,\"journal\":{\"name\":\"AICCM Bulletin\",\"volume\":\"43 1\",\"pages\":\"40 - 47\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AICCM Bulletin\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10344233.2022.2150488\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AICCM Bulletin","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10344233.2022.2150488","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

摘要

Mparra Karrti-Us暴徒属于这个国家,是由中央沙漠地区的艺术家们用水彩媒体在纸上制作的一系列22流明版画的集体标题。艺术家们在Mparntwe (Alice Springs)的Iltja Ntjarra(多手)艺术中心工作,他们的实践继承和学习可以追溯到Albert Namatjira和Hermannsburg水彩画学校。艺术家们在感光纸上用水彩画的新颖方法产生了一种独特的视觉美感,整个纸上都有褶皱,要求作品“漂浮”在墙上,看不到安装。这篇技术论文详细介绍了艺术家在制作这些独特作品时使用的创新方法,以及新南威尔士州美术馆团队在准备2019年全国展览时使用的后续方法:新澳大利亚艺术。本文强调了艺术家、协调员、策展人、保护人员和更广泛的团队之间知识共享的重要性,以确保这些作品的物质和内在价值得到充分承认和理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Iltja Ntjarra artists and the making of contemporary lumen prints: documentation, display and storage
Mparra Karrti—Us mob belong to the Country, is the collective title attributed to a series of twenty-two lumen prints on paper with watercolour media, produced by Central Desert region artists. The artists work out of the Iltja Ntjarra (Many Hands) Art Centre in Mparntwe (Alice Springs) with their practices inherited and learned through lineage traced back to Albert Namatjira and the Hermannsburg School of watercolour painting. The artists’ novel approach to painting in watercolour on photo-sensitised paper resulted in a unique visual aesthetic of cockling throughout the sheets, requiring that the works be presented ‘floating’ on the wall with no mounting visible. This technical paper details the innovative approaches used by the artists in making these distinctive works and the subsequent methodologies applied by the Art Gallery of NSW team in preparing them for display in The National 2019: new Australian Art. The paper highlights the importance of knowledge sharing amongst artists, facilitators, curators, conservators and wider teams to ensure both the physical and intrinsic values of such works are fully acknowledged and understood.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
AICCM Bulletin
AICCM Bulletin Arts and Humanities-Museology
CiteScore
0.50
自引率
0.00%
发文量
0
期刊最新文献
Beyond Repair – Deaccession and the Management of Plastics New Dimensions in Conservation Imaging: Combining Photogrammetry and Photometric Stereo for 3D Documentation of Heritage Artefacts The Preservation of Tracing Paper: A case Study of TRA Archives Looking through X-Rays: The study of underlying painting in the oeuvre of Chen Cheng-po Conservation and analysis of textiles recovered from exhumed human remains after more than a century of burial
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1