所有权与归还话语中贝宁王国习惯法及其生活文化对象的思考

Q2 Arts and Humanities Santander Art and Culture Law Review Pub Date : 2022-12-30 DOI:10.4467/2450050xsnr.22.011.17024
Oluwatoyin Sogbesan, Tokie Laotan-Brown
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引用次数: 1

摘要

1897年英国惩罚性远征导致贝宁王国的文化遗产遭到盗窃和破坏。掠夺品包括3000多件由青铜器、象牙、珠子和其他物品制成的文物,这些文物是自公元1世纪以来为纪念历史时刻、政治过渡和仪式目的而生产的。这种盗窃行为玷污了这些活文物的精神和仪式意义,并将它们变成了博物馆的文物。随着关于归还和归还贝宁青铜器的国际辩论愈演愈烈,出现了两个相关问题:谁将是归还文物的保管人?;它们将如何被保存?在这篇文章中,我们从贝宁习惯法和惯例的角度来处理这两个问题。我们认为,在当地的判例中,埃姆温·阿雷(Emwin Arre)——如上所述的活的文化遗产——属于贝宁的奥巴,应该归还王宫,在那里它们将得到保存、保护,并与今世后代共享。
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Reflections on the Customary Laws of Benin Kingdom and Its Living Cultural Objects in the Discourse of Ownership and Restitution
The British punitive expedition of 1897 led to the theft and vandalization of the cultural heritage of the Benin kingdom. The plunder included more than 3,000 cultural objects made of bronzes, ivories, beads, and other objects, which were produced since the 1st century AD to commemorate historical moments, political transitions, and ritual purposes. This theft dishonoured the spiritual and ritual significance of these living cultural objects, and has turned them into museum artefacts. As international debates on restitution and the return of Benin Bronzes intensify, two pertinent questions which arise are: Who will be the custodians of the returned artefacts?; and How will they be conserved? In this article, we address these two questions through the lens of Benin customary laws and practices. We argue that within this local jurisprudence, the Emwin Arre– the living cultural heritage described above –belong to the Oba of Benin and should be returned to the royal Palace, where they will be preserved, protected, and shared with the present and future generations.
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Santander Art and Culture Law Review
Santander Art and Culture Law Review Arts and Humanities-Visual Arts and Performing Arts
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