空间如何成为场所

IF 1.3 0 ARCHITECTURE Landscape Journal Pub Date : 2023-05-01 DOI:10.3368/lj.42.1.144
R. Smardon
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His research focuses on the micropolitics of the planning process and political deliberations that planners use to shape participatory process and manage disputes. He has written or cowritten several books within these content areas (Forester, 1999, 2009, 2013; Forester & Reach 2015). This book is unusual in that it is a collection of edited interviews of place-maker/community organizers that utilize various approaches to address specific community issues. There are other books on place-making (Anguelovsky, 2014; Hester, 2010; Markusen & Gadwa, 2010; Schneekloth, 1995) as well as books on community facilitation and problem solving (Anderson & Pyle, 2021; Herd, 2019; Kane, 2014; Sarkission & Hurford, 2010; Wates, 2014), but only Wilson’s (2019) book The Heat of Community Engagement; Stories across the Globe uses a similar format of a collection of interviews to cover similar content. Forester’s new book is divided into three parts: Design Collaboration and Ownership; Engagement and Differences in Placemaking; and Art Imagination and Value Creation. Each of the interviews comprising the body of the text includes a contextual preface by Forester. The actual interviews were conducted by Forester and some of his graduate students. In Part One, four interviews from community organizers address affordable housing, integrated land use, and environmental planning for Oregon coastal communities, in addition to public space planning in Portland, Oregon, and the bridge design/review process at the St. Croix River connecting Minnesota and Wisconsin. In Part Two, three interviews with organizers address racial violence and safety disputes in Los Angeles; the development of the Red Hook, New York, Community Justice Center; immigration, ethnicity, and religious differences in Oldham, UK; and environmental justice issues in Detroit, Michigan. Part Three features interviews with community organizers that were involved with the Providence, Rode Island, WaterFire river art festival; community development in Eagleby, Australia; developing a community garden network in Paris, France; Artwalk development in Rochester, New York; and creating an art center in New York Mills, Minnesota. As Forester states in the introductory chapter, these place-makers “transform ordinary, taken for granted spaces into places that matter” (Forester, 2021, p. 1). 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Forester’s book “flies in the face” of traditional community planning and designing professionals by showing how “nonprofessionals” can facilitate and implement community development projects. Forester is a professor in the City and Regional Planning Department at Cornell University. He has served as department chair and associate dean at Cornell and received his undergraduate and graduate degrees (MS, MCPD, PhD) from the University of California, Berkeley. His research focuses on the micropolitics of the planning process and political deliberations that planners use to shape participatory process and manage disputes. He has written or cowritten several books within these content areas (Forester, 1999, 2009, 2013; Forester & Reach 2015). This book is unusual in that it is a collection of edited interviews of place-maker/community organizers that utilize various approaches to address specific community issues. 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How Spaces Become Places
Richard C. Smardon John Forester’s new book is of interest to this reviewer because of his experience as a facilitator for environmental assessment and waterway revitalization projects as well as his background in teaching public participation and mediation courses over many years. Forester’s book “flies in the face” of traditional community planning and designing professionals by showing how “nonprofessionals” can facilitate and implement community development projects. Forester is a professor in the City and Regional Planning Department at Cornell University. He has served as department chair and associate dean at Cornell and received his undergraduate and graduate degrees (MS, MCPD, PhD) from the University of California, Berkeley. His research focuses on the micropolitics of the planning process and political deliberations that planners use to shape participatory process and manage disputes. He has written or cowritten several books within these content areas (Forester, 1999, 2009, 2013; Forester & Reach 2015). This book is unusual in that it is a collection of edited interviews of place-maker/community organizers that utilize various approaches to address specific community issues. There are other books on place-making (Anguelovsky, 2014; Hester, 2010; Markusen & Gadwa, 2010; Schneekloth, 1995) as well as books on community facilitation and problem solving (Anderson & Pyle, 2021; Herd, 2019; Kane, 2014; Sarkission & Hurford, 2010; Wates, 2014), but only Wilson’s (2019) book The Heat of Community Engagement; Stories across the Globe uses a similar format of a collection of interviews to cover similar content. Forester’s new book is divided into three parts: Design Collaboration and Ownership; Engagement and Differences in Placemaking; and Art Imagination and Value Creation. Each of the interviews comprising the body of the text includes a contextual preface by Forester. The actual interviews were conducted by Forester and some of his graduate students. In Part One, four interviews from community organizers address affordable housing, integrated land use, and environmental planning for Oregon coastal communities, in addition to public space planning in Portland, Oregon, and the bridge design/review process at the St. Croix River connecting Minnesota and Wisconsin. In Part Two, three interviews with organizers address racial violence and safety disputes in Los Angeles; the development of the Red Hook, New York, Community Justice Center; immigration, ethnicity, and religious differences in Oldham, UK; and environmental justice issues in Detroit, Michigan. Part Three features interviews with community organizers that were involved with the Providence, Rode Island, WaterFire river art festival; community development in Eagleby, Australia; developing a community garden network in Paris, France; Artwalk development in Rochester, New York; and creating an art center in New York Mills, Minnesota. As Forester states in the introductory chapter, these place-makers “transform ordinary, taken for granted spaces into places that matter” (Forester, 2021, p. 1). Forester has three major objectives in the book: 1) examining strategies used by place-makers with diverse background and training, 2) considering how they complement and extend existing planning
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来源期刊
Landscape Journal
Landscape Journal ARCHITECTURE-
CiteScore
0.90
自引率
0.00%
发文量
14
期刊介绍: The mission of landscape architecture is supported by research and theory in many fields. Landscape Journal offers in-depth exploration of ideas and challenges that are central to contemporary design, planning, and teaching. Besides scholarly features, Landscape Journal also includes editorial columns, creative work, reviews of books, conferences, technology, and exhibitions. Landscape Journal digs deeper into the field by providing articles from: • landscape architects • geographers • architects • planners • artists • historians • ecologists • poets
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