{"title":"从经验的角度看建筑比例","authors":"Tiziana Proietti Ph.D., Sergei Gepshtein Ph.D.","doi":"10.1111/joid.12210","DOIUrl":null,"url":null,"abstract":"<div>\n \n <p><i>Proportion has long been central to theories of design and architecture before its role was questioned in the mid-twentieth century. In spite of this scrutiny, no definitive conclusion has been reached on the question of how proportion affects experience of the built environment. Here, an architect and a scientist attack this question from an empirical standpoint. They argue that, as a starting point, it is important to understand under which conditions proportions are perceptible by the flesh-and-blood person who moves freely through the built environment and observes it under various distances and angles. The authors begin by surveying the work of two forerunners of empirical study of proportion: The Russian architect and educator Nikolai Ladovsky, whose “psychotechnical” approach was inspired by scientific psychology, and the Dutch architect Hans van der Laan, who developed the theory of plastic number concerned with proportions of three-dimensional objects, and whose approach was strikingly similar to scientific approaches. Following an analysis of informal studies by Ladovsky and Van der Laan, the authors examine implications of such studies for education in architecture and interior design, and then describe two approaches to investigating architectural proportion formally, by methods of sensory psychophysics</i>.</p>\n </div>","PeriodicalId":56199,"journal":{"name":"Journal of Interior Design","volume":"47 1","pages":"11-29"},"PeriodicalIF":1.2000,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Architectural Proportion from an Empirical Standpoint\",\"authors\":\"Tiziana Proietti Ph.D., Sergei Gepshtein Ph.D.\",\"doi\":\"10.1111/joid.12210\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div>\\n \\n <p><i>Proportion has long been central to theories of design and architecture before its role was questioned in the mid-twentieth century. In spite of this scrutiny, no definitive conclusion has been reached on the question of how proportion affects experience of the built environment. Here, an architect and a scientist attack this question from an empirical standpoint. They argue that, as a starting point, it is important to understand under which conditions proportions are perceptible by the flesh-and-blood person who moves freely through the built environment and observes it under various distances and angles. The authors begin by surveying the work of two forerunners of empirical study of proportion: The Russian architect and educator Nikolai Ladovsky, whose “psychotechnical” approach was inspired by scientific psychology, and the Dutch architect Hans van der Laan, who developed the theory of plastic number concerned with proportions of three-dimensional objects, and whose approach was strikingly similar to scientific approaches. Following an analysis of informal studies by Ladovsky and Van der Laan, the authors examine implications of such studies for education in architecture and interior design, and then describe two approaches to investigating architectural proportion formally, by methods of sensory psychophysics</i>.</p>\\n </div>\",\"PeriodicalId\":56199,\"journal\":{\"name\":\"Journal of Interior Design\",\"volume\":\"47 1\",\"pages\":\"11-29\"},\"PeriodicalIF\":1.2000,\"publicationDate\":\"2021-12-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Interior Design\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/joid.12210\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Interior Design","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/joid.12210","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
摘要
比例一直是设计和建筑理论的核心,直到它的作用在20世纪中期受到质疑。尽管进行了这样的仔细研究,但在比例如何影响建筑环境体验的问题上,还没有得出明确的结论。在这里,一位建筑师和一位科学家从经验的角度来探讨这个问题。他们认为,作为一个起点,重要的是要了解在哪些条件下比例是可以被有血有肉的人感知的,他们在建筑环境中自由移动,并在不同的距离和角度下观察它。作者首先考察了两位比例实证研究先驱的工作:俄罗斯建筑师和教育家尼古拉·拉多夫斯基(Nikolai Ladovsky),他的“心理技术”方法受到科学心理学的启发;荷兰建筑师汉斯·范德朗(Hans van der Laan),他提出了与三维物体比例有关的塑性数理论,他的方法与科学方法惊人地相似。在对Ladovsky和Van der Laan的非正式研究进行分析之后,作者检查了这些研究对建筑和室内设计教育的影响,然后描述了通过感觉心理物理学的方法正式调查建筑比例的两种方法。
Architectural Proportion from an Empirical Standpoint
Proportion has long been central to theories of design and architecture before its role was questioned in the mid-twentieth century. In spite of this scrutiny, no definitive conclusion has been reached on the question of how proportion affects experience of the built environment. Here, an architect and a scientist attack this question from an empirical standpoint. They argue that, as a starting point, it is important to understand under which conditions proportions are perceptible by the flesh-and-blood person who moves freely through the built environment and observes it under various distances and angles. The authors begin by surveying the work of two forerunners of empirical study of proportion: The Russian architect and educator Nikolai Ladovsky, whose “psychotechnical” approach was inspired by scientific psychology, and the Dutch architect Hans van der Laan, who developed the theory of plastic number concerned with proportions of three-dimensional objects, and whose approach was strikingly similar to scientific approaches. Following an analysis of informal studies by Ladovsky and Van der Laan, the authors examine implications of such studies for education in architecture and interior design, and then describe two approaches to investigating architectural proportion formally, by methods of sensory psychophysics.
期刊介绍:
The Journal of Interior Design is a scholarly, refereed publication dedicated to issues related to the design of the interior environment. Scholarly inquiry representing the entire spectrum of interior design theory, research, education and practice is invited. Submissions are encouraged from educators, designers, anthropologists, architects, historians, psychologists, sociologists, or others interested in interior design.