Counter-narrating political ethnocracy: Interrogating Malay–Chinese ethnic relations in Flower in the Pocket and Nasi Lemak 2.0

This article focuses on the analysis of two Sinophone films made by Chinese Malaysian filmmakers, which are Flower in the Pocket (Liew Seng Tat 2007) and Nasi Lemak 2.0 (Namewee/Wee 2011), and discusses how these films engage Malaysian ethnocracy by interrogating the ever-problematic Malay–Chinese relationship. Both filmmakers belong to the new generation of Chinese Malaysians who feel the need to question the political system and long for a more inclusive national identity. Flower in the Pocket depicts the uncomfortable relationship between Malays and Chinese by examining the stories of two families from both ethnic backgrounds while questioning how Malays have taken their privilege position and economic protection for granted. Nasi Lemak 2.0 instead parodies the mainstream Malay-centric ideology by deconstructing the image Malay heroism while satirizing UMNO’s manipulation of ethnic politics.