歌曲“女孩”的爱与恨:在20世纪60年代的女孩团体和#MeToo时刻的女歌手中寻找女权主义代理

IF 0.7 4区 文学 0 LANGUAGE & LINGUISTICS Rhetoric Review Pub Date : 2022-04-03 DOI:10.1080/07350198.2022.2038511
M. Goggin, K. Ratcliffe
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引用次数: 0

摘要

摘要音乐学家质疑20世纪60年代的女子团体音乐是“绒毛还是激进发酵的孵化器”,粉丝们质疑如何处理音乐的性别歧视、非规范性和种族主义(McClary和Warwick 232)。这篇文章认为,20世纪60年代的女子组合歌曲有很多东西可以教给我们,关于20世纪60世纪60年代美国青少年浪漫神话的文化脚本中的一系列机构,如音乐中所代表的。它还认为,为了打断别人而全神贯注是一种女权主义策略,可以理解和处理这些歌曲以及它们在#MeToo时刻的当代痕迹。
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Songs “Girls” Love and Hate: Finding Feminist Agency in 1960s Girl Groups and Girl Singers During #MeToo Moments
Abstract Musicologists question whether 1960s girl group music is “fluff or an incubator for radical ferment,” and fans question what to do with the music’s sexism, heteronormativity, and racism (McClary and Warwick 232). This article argues that 1960s girl group songs have much to teach us about a spectrum of agencies available within cultural scripts of the 1960s U.S. teen romance myth as represented in music. It also argues that being ever-attentive-in-order-to-interrupt is a feminist tactic for understanding and dealing with these songs as well as their contemporary traces within #MeToo moments.
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来源期刊
Rhetoric Review
Rhetoric Review Multiple-
CiteScore
0.90
自引率
0.00%
发文量
31
期刊介绍: Rhetoric Review (RR), a scholarly interdisciplinary journal of rhetoric, publishes in all areas of rhetoric and writing and provides a professional forum for its readers to consider and discuss current topics and issues. The journal publishes manuscripts that explore the breadth and depth of the discipline, including history, theory, writing, praxis, philosophy, professional writing, rhetorical criticism, cultural studies, multiple literacies, technology, literature, public address, graduate education, and professional issues. Rhetoric Review also invites readers to contribute to the Burkean Parlor, a discourse forum for discussion of Rhetoric Review"s published articles, as well as professional issues. Essay reviews, commissioned by the editor, are included as a regular feature.
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