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引用次数: 0
摘要
摘要“组织美学”追溯了艺术实践的谱系，这些实践以形式参与社会、政治和美学，以进入关于等级、水平和集中的基本辩论。在关系美学和战术媒体的历史冲突背景下，本文将对身体聚会的排他性关注作为关系的排他性场所进行了质疑。相反，它提供了一种围绕着这种聚会的辩证法以及隐藏和超越它们的组织和技术结构的分析。从20世纪90年代中期到现在，这种对组织美学的描述包括艺术家、活动家、理论家和集体的批判性讨论，包括BüroBert、Alice Creischer、Andrea Fraser、Jeanne van Heeswijk、Geert Lovink、ruangrupa和Jonas Staal。
Organizational Aesthetics: On Certain Practices and Genealogies∗
Abstract “Organizational Aesthetics” traces the genealogies of artistic practices engaging socially, politically, and aesthetically with form to enter into fundamental debates about hierarchy, horizontality, and centralization. Against the background of historical conflicts over relational aesthetics and tactical media, the essay problematizes the exclusive focus on physical gatherings as the exclusive site of relationality. Instead, it offers an analysis that revolves around the dialectic of such gatherings and the organizational and technological structures that subtend and transcend them. Spanning the mid-1990s to the present, this account of organizational aesthetics includes critical discussions of artists, activists, theorists, and collectives including BüroBert, Alice Creischer, Andrea Fraser, Jeanne van Heeswijk, Geert Lovink, ruangrupa, and Jonas Staal.
期刊介绍：
At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.
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