音乐治疗实习前教育和培训:支持基于方法的方法

Pub Date : 2021-12-29 DOI:10.1093/mtp/miab026
Susan C. Gardstrom, James Hiller, A. Heiderscheit, Nancy L Jackson
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引用次数: 2

摘要

作为音乐治疗师,音乐是我们理解和行动的主要领域,也是我们与客户联系的独特方式,帮助他们获得最佳健康和福祉。因此,我们采用并倡导以音乐为重点、基于方法(M-B)的音乐治疗实习前教育和培训方法。在M-B方法中,学生的学习集中在作曲、即兴创作、再创作和听音乐的4种音乐治疗方法上,以及如何设计和实施这些音乐体验,以满足他们作为执业临床医生最终会遇到的不同客户的健康需求。学习是高度体验式的,学生真正参与每一种方法,并将这些自我体验作为自己临床决策的基础。这与基于人群的(P-B)方法不同,在该方法中,学生的注意力集中在获取有关特定“临床人群”的非音乐问题的知识,以及被认为可以解决这些问题的“最佳实践”音乐干预措施。在此,我们讨论了这两种方法,确定了P-B视角的局限性,并概述了M-B课程的好处及其与21世纪音乐治疗实践的相关性。
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Music Therapy Pre-internship Education and Training: Support for a Methods-Based Approach
As music therapists, music is our primary realm of understanding and action and our distinctive way of joining with a client to help them attain optimal health and well-being. As such, we have adopted and advocate for a music-focused, methods-based (M-B) approach to music therapy pre-internship education and training. In an M-B approach, students’ learning is centered on the 4 music therapy methods of composing, improvising, re-creating, and listening to music and how these music experiences can be designed and implemented to address the health needs of the diverse clientele whom they will eventually encounter as practicing clinicians. Learning is highly experiential, with students authentically participating in each of the methods and reflecting on these self-experiences as a basis for their own clinical decision-making. This is differentiated from a population based (P-B) approach, wherein students’ attention is directed at acquiring knowledge about the non-musical problems of specific “clinical populations” and the “best practice” music interventions that are presumed to address these problems. Herein, we discuss both approaches, identifying the limitations of a P-B perspective and outlining the benefits of an M-B curriculum and its relevance to 21st-century music therapy practice.
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