诺莱坞电影中非洲僵尸的西方化

F. Endong
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引用次数: 0

摘要

多年来,尼日利亚的电影工业(绰号“诺莱坞”)一直把外来影响视为一种新奇和独特的形式。该行业制作的许多电影都显示出了将与全球大众文化相关的特定形式和风格重新语境化和本土化的能力,包括好莱坞恐怖片和僵尸类型。因此,在诺莱坞电影中,至少有两种表现僵尸的方式。虽然大多数电影都是根据非洲或尼日利亚当地的神话来描绘僵尸,但最近制作的一些电影却展示了这些不死生物(僵尸)的形象,这些生物明显受到了西方想象力或幻想的启发。通过对两部诺莱坞电影的批判性研究,即A.C. Enonchong的《活死人巫医》和Sam Perry的《2020年爆发》,可以很好地说明这一论点。本文以上述两部电影为个案研究,特别寻求三个研究问题的答案:西方关于僵尸的神话与尼日利亚社会文化空间中盛行的神话有何不同?僵尸电影类型在尼日利亚电影工业中是如何演变的?西方关于僵尸的神话如何影响或反映在选定的诺莱坞电影中?
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The Westernization of the African zombie in Nollywood Films
The Nigerian film industry (nicknamed Nollywood) has, over the years, embraced foreign influences as a form of newness and singularity. Many films produced in the industry have displayed the capacity to re-contextualize and indigenize specific forms and styles associated with the global mass culture, including Hollywood horror films and the zombie genre. Thus, there have been at least two ways of representing zombies in the Nollywood films. While most films have depicted zombies according to local African or Nigerian myths, a certain number of recently produced films have displayed representations of these undead creatures (zombies) which are visibly inspired by the Western imagination or fantasies. This thesis could well be illustrated through a critical study of two Nollywood films namely A.C. Enonchong‘s Witchdoctor of the Living Dead and Sam Perry‘s Outbreak 2020. Using the two above mentioned films as case studies, this paper specifically seeks answers to three research questions: how are Western myths about zombies different from those prevailing in the Nigerian socio-cultural space? How has the zombie filmic genre evolved in the Nigerian film industry and how are Western myths about zombies informing or reflected in selected Nollywood films?
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发文量
8
审稿时长
16 weeks
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