庆祝过去,现在和未来:Idoma人的Odumu音乐和舞蹈案例

IF 0.3 0 MUSIC Musicologist Pub Date : 2023-06-30 DOI:10.33906/musicologist.966505
Godwin Ogli̇
{"title":"庆祝过去,现在和未来:Idoma人的Odumu音乐和舞蹈案例","authors":"Godwin Ogli̇","doi":"10.33906/musicologist.966505","DOIUrl":null,"url":null,"abstract":"Odumu music among the Idoma people in Nigeria has served historical, sociological and entertainment functions. Performed predominantly by male members of the society, female community members are allowed to participate in the dance as a mark of collective cultural identity and responsibility. Communality is a core community ethos among the Idoma which promotes individual expression within a wider communal space. This paper, therefore, examines Odumu musical performance from the angle of its socio-cultural significance as well as its reflection of anthropocentric impact in shaping the environment. In a specific sense, the paper aims to highlight the musical narrative of how the people have encountered and impacted their environment, and how such experience have shaped their cultural expressions using the instrumentality of traditional music and dance. The research adopted observations and interviews as field methods among the Idoma people as well as Odumu performers to obtain data for the research. Analysis of data obtained reveals that Odumu musical performance provides a space for socio-cultural identity, transmission of culture and re-enacting historical facts that promote communal bonding. Hence, it reinforces the larger social sense of belonging. This paper will be of benefit to environmental and cultural scholars by providing knowledge on the intersection of music, culture and the environment among less visible indigenous groups like the Idoma people.","PeriodicalId":29680,"journal":{"name":"Musicologist","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Celebrating the Past, Present, and Future: The Case of Odumu Music and Dance Among the Idoma People\",\"authors\":\"Godwin Ogli̇\",\"doi\":\"10.33906/musicologist.966505\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Odumu music among the Idoma people in Nigeria has served historical, sociological and entertainment functions. Performed predominantly by male members of the society, female community members are allowed to participate in the dance as a mark of collective cultural identity and responsibility. Communality is a core community ethos among the Idoma which promotes individual expression within a wider communal space. This paper, therefore, examines Odumu musical performance from the angle of its socio-cultural significance as well as its reflection of anthropocentric impact in shaping the environment. In a specific sense, the paper aims to highlight the musical narrative of how the people have encountered and impacted their environment, and how such experience have shaped their cultural expressions using the instrumentality of traditional music and dance. The research adopted observations and interviews as field methods among the Idoma people as well as Odumu performers to obtain data for the research. Analysis of data obtained reveals that Odumu musical performance provides a space for socio-cultural identity, transmission of culture and re-enacting historical facts that promote communal bonding. Hence, it reinforces the larger social sense of belonging. This paper will be of benefit to environmental and cultural scholars by providing knowledge on the intersection of music, culture and the environment among less visible indigenous groups like the Idoma people.\",\"PeriodicalId\":29680,\"journal\":{\"name\":\"Musicologist\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Musicologist\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33906/musicologist.966505\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Musicologist","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33906/musicologist.966505","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0

摘要

尼日利亚伊多马人的奥杜穆音乐具有历史、社会和娱乐功能。舞蹈主要由社会中的男性成员表演,女性社区成员可以参加舞蹈,作为集体文化认同和责任的标志。社区性是Idoma的核心社区精神,它促进了个人在更广泛的社区空间中的表达。因此,本文从奥杜木音乐表演的社会文化意义以及它在塑造环境中对人类中心主义影响的反映的角度来审视它。在特定意义上,本文旨在强调人们如何遇到和影响他们的环境的音乐叙事,以及这种体验如何利用传统音乐和舞蹈的工具塑造他们的文化表达。这项研究采用了观察和访谈作为实地方法,在Idoma人和Odumu表演者中获得研究数据。对所获得数据的分析表明,奥杜穆的音乐表演为社会文化认同、文化传播和再现历史事实提供了一个空间,促进了社区联系。因此,它强化了更大的社会归属感。本文将为环境和文化学者提供关于音乐、文化和环境在Idoma人等不太显眼的土著群体中的交叉点的知识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Celebrating the Past, Present, and Future: The Case of Odumu Music and Dance Among the Idoma People
Odumu music among the Idoma people in Nigeria has served historical, sociological and entertainment functions. Performed predominantly by male members of the society, female community members are allowed to participate in the dance as a mark of collective cultural identity and responsibility. Communality is a core community ethos among the Idoma which promotes individual expression within a wider communal space. This paper, therefore, examines Odumu musical performance from the angle of its socio-cultural significance as well as its reflection of anthropocentric impact in shaping the environment. In a specific sense, the paper aims to highlight the musical narrative of how the people have encountered and impacted their environment, and how such experience have shaped their cultural expressions using the instrumentality of traditional music and dance. The research adopted observations and interviews as field methods among the Idoma people as well as Odumu performers to obtain data for the research. Analysis of data obtained reveals that Odumu musical performance provides a space for socio-cultural identity, transmission of culture and re-enacting historical facts that promote communal bonding. Hence, it reinforces the larger social sense of belonging. This paper will be of benefit to environmental and cultural scholars by providing knowledge on the intersection of music, culture and the environment among less visible indigenous groups like the Idoma people.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.60
自引率
50.00%
发文量
0
期刊最新文献
MUSIC IN BEKTASHI ORDER IN RN MACEDONIA: ASPECTS OF PERFORMANCE Forming a Collaborative Relationship between a Researcher and the Researched in Contemporary Taiwan: A Case Study from Beiguan Opera (北管戲) AN EVALUATION OF ARNOLD SCHOENBERG’S TRADITIONAL AND INNOVATIONAL APPROACHES ON VERKLÄRTE NACHT AND PIERROT LUNAIRE “NACHT” Melodies Across Time: Exploring Connections and Context in Eastern Black Sea Popular Music From Intonation Adjustments to Synchronisation of Heart Beat Variability: Singer Interaction in Traditional Georgian Vocal Music
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1