介绍

Elisa Kriza, Michael Düring, Beata Waligórska-Olejniczak
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引用次数: 0

摘要

1994年4月在特拉维夫和耶路撒冷举行了一次关于“知识的形象、两层思维和高等教育”的国际讲习班。这些主题对作者来说是一个明显的标志。它们标志着他的学识,也见证了他对知识的不断追求,拒绝被局限在学术界限之内。研讨会的目的是将耶胡达·埃尔卡纳的学者和朋友聚集在一起,以纪念一位忠诚的知识分子、一位兴趣广泛的科学史学家、一位优秀的教师和一位真正的人文主义者。我还要提一下,耶胡达是《SiC》的发起人和多年来的编辑之一。他的个人和政治生活以及他的作品也许可以用他在本杰明和布莱希特身上发现的史诗戏剧的概念来概括:“它可以以这种方式发生,但也可以以完全不同的方式发生。”它代表着回避看似不可避免的历史进程,拒绝相信唯一的一——无论这是否是一个永恒的真理,由看似不可改变的元数学概念(如证明)所支撑;或者是一门科学——也就是我们的科学——的必然发展,而不管其他文化产生了什么;或者是我们思考历史的方式——也就是说,从时代、范式和其他宏大叙事的角度;或者是仍然广泛存在的对普遍性和普遍性理论的语境无关的研究。因此,大门被打开,将我们所有的指导概念和知识置于他们的文化背景和发展的历史流变中,我们试图利用这些概念和知识更好地掌握我们周围的世界。但与此同时,在史诗戏剧的概念中,有一种无可辩驳的、勇敢而坚定的现实主义元素,它反映了我们生活在历史中的经验。勇气在于接受无法改变的事实,同时知道并积极寻求改变。耶胡达·埃尔卡纳(Yehuda Elkana)能够跨越许多人认为无法容忍的矛盾的两个方面,这使他清晰地表达了“双层思维”的概念。他认为,现实主义和相对主义并不是相互排斥的;我们大多数人在大多数问题上都持相同的观点。我们在充分意识到我们无法证明选择的正确性的情况下,相对地选择了一个框架,并意识到我们可以做出不同的选择。然而,一旦我们做出了选择,我们就与所选择的框架联系起来,我们现实地思考它。拒绝在现实主义和相对主义之间做出选择,并声称我们采用这两种观点,这是耶胡达思维方式的特点。本卷中有两篇论文直接讨论了这个问题,分别是Gideon Freudenthal和Adi Ophir的论文,这两篇论文相互独立地得出了他们的结论:两者都声称双层思维不是
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Introduction
In April 1994 an international workshop was held in Tel Aviv and Jerusalem on "Images of Knowledge, Two-Tier Thinking, and Higher Education."These themes stand as a clear marker for their author. They signal his scholarship and bear witness to his continuing quest for knowledge that refuses to be confined within academic boundaries. The workshop was intended to bring together scholars and friends of Yehuda Elkana in order to celebrate a committed intellectual, a historian of science with wide-ranging interests, an excellent teacher, and a genuine humanist. Let me also mention that Yehuda was the initiator of SiC and one of its editors for many years. His personal and political life as well as his work can perhaps best be summarized by the notion of epic theater that he discovered in Benjamin and Brecht: "It can happen this way, but it can also happen quite a different way." It stands for shunning the seemingly inevitable course of history and for refusing to believe in the One and only One — whether this is One Eternal Truth, buttressed by seemingly unchangeable metamathematical concepts like proof; or the inevitable development of One Science — namely, our science — regardless of what other cultures have produced; or the ways in which we think our history — namely, in terms of epochs, paradigms, and other grand narratives; or the still widespread context-free search for universals and universalistic theories. The gate has thus been pushed wide open to place into their cultural context and into the historical flux of development all our guiding concepts and the knowledge with which we seek to obtain a better grasp of the world around us. But at the same time there is an irrefutable and courageously steadfast element of realism in the notion of epic theater as the mirror of our experience in the way we live our history. The courage lies in accepting what cannot be changed, while knowing and actively searching to change it. Yehuda Elkana's ability to straddle the two sides of what many take to be intolerable contradictions has led him to articulate the notion of "two-tier thinking." Realism and relativism, he maintains, are not mutually exclusive; they are held simultaneously by most of us on most issues. We select a framework relativistically in full consciousness of the fact that we cannot prove the correctness of the choice and realize that we could have made a different choice. Yet once our choice is made, we relate to the selected framework, we think of it, realistically. This refusal to choose between realism and relativism and the claim that we adopt both views is characteristic of Yehuda's way of thinking. The two papers in this volume that address the issue directly, those by Gideon Freudenthal and Adi Ophir, reach their verdict independently of each other: both claim that two-tier thinking is not
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