流通的乌托邦:国际画报摄影师协会

IF 0.3 2区 艺术学 0 ART History of Photography Pub Date : 2021-01-02 DOI:10.1080/03087298.2021.2019386
Julien Faure-Conorton
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引用次数: 0

摘要

本文考察了在画报主义背景下印刷品、信件和思想的流通,涉及到一个雄心勃勃但被遗忘已久的联合会——国际画报摄影师协会。成立于1905年,但几乎立即被放弃,这个乌托邦式的项目简化了国际展览的组织,并没有改变图像摄影的未来,因为它打算这样做。本文研究了画派的起源、创造和规则,揭示了其失败的原因,揭示了画派的政治,并审视了其最矛盾的特征之一,即在一个主要依靠国际合作的运动中捍卫国家利益。它还显示了罗伯特·德马奇(1859-1936)和阿尔弗雷德·斯蒂格利茨(1864-1946)在这件事上所起的核心作用。尽管结果令人失望,但这个故事是通过持续的通信和文本,主要处理印刷品的流通,在全球摄影网络的成员之间进行了一次引人注目的意见交流。
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A Utopia of Circulation: The International Society of Pictorial Photographers
This article, examining the circulation of prints, letters and ideas in the context of Pictorialism, deals with an ambitious but long-forgotten federation, the International Society of Pictorial Photographers. Founded in 1905 but almost immediately abandoned, this utopian project to simplify the organisation of international exhibitions did not alter the future of pictorial photography as it was intended to do. Studying its origins, creation and rules, and revealing the causes of its failure, this article sheds light on the politics of Pictorialism and examines one of its most ambivalent characteristics, namely the defence of national interests within a movement relying mostly on international collaboration. It also shows the central role played by Robert Demachy (1859–1936) and Alfred Stieglitz (1864–1946) in the matter. Despite its disappointing outcome, this story is that of a remarkable exchange of opinions, through sustained correspondence and texts, dealing mainly with the circulation of prints, among members of a global photographic network.
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来源期刊
CiteScore
0.30
自引率
50.00%
发文量
23
期刊介绍: History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.
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