{"title":"教皇英诺森三世(1198-1216)及其居里亚作品中的悲伤、男子气概和教皇权威","authors":"Kirsty Day","doi":"10.1080/03044181.2023.2188604","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article examines how Pope Innocent III (1198–1216) and his curia used emotions to communicate the supreme authority of the pope through a gendered order of knowledge and feeling in letters. Innocent and his curia worked codes of masculinity into an emotional regime of excellence and spiritual possibility, one that excluded women and femininity and enabled the derogation of feminised forms of spiritual authority. Focusing on Innocent and his curia's use of sorrowful emotions, it traces how Innocent interpreted emotions evoked by earthly frustrations as feminine, and a threat to papal primacy and the authority of the exclusively male, clerical hierarchy on which it stood. Understanding how the pope did so helps us to make sense of how he guarded the papal office as the exclusive preserve of men, as well as how the practice of emotion shaped the communication of hegemonic masculine power in the Middle Ages.","PeriodicalId":45579,"journal":{"name":"JOURNAL OF MEDIEVAL HISTORY","volume":"49 1","pages":"201 - 226"},"PeriodicalIF":0.3000,"publicationDate":"2023-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sorrow, masculinity and papal authority in the writing of Pope Innocent III (1198–1216) and his curia\",\"authors\":\"Kirsty Day\",\"doi\":\"10.1080/03044181.2023.2188604\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article examines how Pope Innocent III (1198–1216) and his curia used emotions to communicate the supreme authority of the pope through a gendered order of knowledge and feeling in letters. Innocent and his curia worked codes of masculinity into an emotional regime of excellence and spiritual possibility, one that excluded women and femininity and enabled the derogation of feminised forms of spiritual authority. Focusing on Innocent and his curia's use of sorrowful emotions, it traces how Innocent interpreted emotions evoked by earthly frustrations as feminine, and a threat to papal primacy and the authority of the exclusively male, clerical hierarchy on which it stood. Understanding how the pope did so helps us to make sense of how he guarded the papal office as the exclusive preserve of men, as well as how the practice of emotion shaped the communication of hegemonic masculine power in the Middle Ages.\",\"PeriodicalId\":45579,\"journal\":{\"name\":\"JOURNAL OF MEDIEVAL HISTORY\",\"volume\":\"49 1\",\"pages\":\"201 - 226\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-03-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF MEDIEVAL HISTORY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03044181.2023.2188604\",\"RegionNum\":2,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MEDIEVAL HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03044181.2023.2188604","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
Sorrow, masculinity and papal authority in the writing of Pope Innocent III (1198–1216) and his curia
ABSTRACT This article examines how Pope Innocent III (1198–1216) and his curia used emotions to communicate the supreme authority of the pope through a gendered order of knowledge and feeling in letters. Innocent and his curia worked codes of masculinity into an emotional regime of excellence and spiritual possibility, one that excluded women and femininity and enabled the derogation of feminised forms of spiritual authority. Focusing on Innocent and his curia's use of sorrowful emotions, it traces how Innocent interpreted emotions evoked by earthly frustrations as feminine, and a threat to papal primacy and the authority of the exclusively male, clerical hierarchy on which it stood. Understanding how the pope did so helps us to make sense of how he guarded the papal office as the exclusive preserve of men, as well as how the practice of emotion shaped the communication of hegemonic masculine power in the Middle Ages.
期刊介绍:
The Journal of Medieval History aims at meeting the need for a major international publication devoted to all aspects of the history of Europe in the Middle Ages. Each issue comprises around four or five articles on European history, including Britain and Ireland, between the fall of Rome and the Renaissance. The Journal also includes review articles, historiographical essays and state of research studies.