运动技巧

IF 1.4 Q3 COMPUTER SCIENCE, SOFTWARE ENGINEERING Proceedings of the ACM on computer graphics and interactive techniques Pub Date : 2023-08-12 DOI:10.1145/3597627
S. Elran, Y. Harel, Amit R. Zoran
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引用次数: 0

摘要

我们对数字精神的概念是指技术在创作过程中的能动性,以及将其用作影响和参与艺术过程的自主能动性的潜力。通过赋予数字精神,我们能够与技术建立更为协作和互动的关系,艺术家的角色是指导和指导设计,而不是完全控制设计。在这件作品中,我们扩展了这种精神的自主权,允许机器和材料自由互动,并独立于我们的意愿生成形式。在这种数字制造的新方法中,我们将确定性的机械过程转化为创造性的探索。与设计传统的机器操作不同,我们提出了针对特定材料环境量身定制的机器材料操作。作为一个测试案例,我们展示了一个数字代理,它可以操纵粘土,同时允许材料的内部动力学在设计的最终确定中发挥主导作用。通过这种机器与材料的交互,我们能够生成大量的形式和复杂性,而这些形式和复杂性是手工或传统编程无法创建的。它揭示了数字工具尚未开发的表达潜力,而在严格控制的范式之外操作数字机器使其成为可能。
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Fine Motor Skills
Our concept of a digital spirit refers to the agency of technology in the creative process and the potential to use it as an autonomous agent that both influences and participates in the artistic process. By attributing a digital spirit, we are able to have a more collaborative and interactive relationship with technology, where the role of the artist is to guide and direct the design rather than fully control it. In this work, we extend the autonomy of this spirit to allow the machine and the material to interact freely and generate forms independently from our will. In this new approach to digital fabrication, we transform a deterministic mechanical procedure into a creative exploration. Rather than designing traditional machine operations, we propose machine-material operations tailored for a specific material context. As a test case, we show a digital agent that manipulates clay while allowing the material's internal dynamics to play a dominant role in the finalization of the design. Through this machine-material interaction, we are able to generate an abundance of forms and complexity that would be impossible to create by hand or through traditional programming. It exposes an untapped expressive potential of digital tools that is made possible by operating digital machines outside the paradigm of tight control.
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CiteScore
2.90
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