书评:《时间的数字:影响和电视的先发制人》

IF 0.9 2区 艺术学 0 FILM, RADIO, TELEVISION Critical Studies in Television Pub Date : 2023-06-06 DOI:10.1177/17496020231177826
Janna Houwen
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引用次数: 1

摘要

由动画叙事引发的反思和分析。通过小说的镜子来解读当代世界的能力被视为一种必要,因为未来可能会展现机会。在这一实践的背后,林奇向我们展示了一条从对连续剧的深入研究中形成和产生的思维路径,伴随着书中各个章节中提到的许多哲学家的声音;这是一条在文本表面下移动的路径,故事的大部分意义都是通过不断思考本身所召唤的多层次意义产生的。只有这样,才有可能在故事的特征和现实的场景之间产生前所未有的联系。尽管《习惯与思想》无疑呈现出趣味和独创性的元素,但有时这种哲学思辨却有压倒展现连续剧作为一种电视现象的特点和内在品质的能力的危险。然而,对于那些已经从事电视分析的哲学方法的人来说,这本书将会很有兴趣。
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Book Review: Figures of Time: Affect and the Television of Preemption
reflection and analysis triggered by the narratives animating them. The ability to interpret the contemporary world through the mirror of fiction is seen as a necessity regarding the opportunities that the future may unfold. Behind this practice, Lynch shows us a path of thinking taking shape and arising from an in-depth study of serials, accompanied by the voices of the many philosophers that are mentioned in the various chapters of the book; it is a path that moves under the surface of the texts and much of the sense of a story is produced through the many layers of meaning that are summoned through the ongoing exercise of thinking itself. Only in this way is it possible to produce unprecedented connections between features of the stories and the scenarios of reality. Although Between Habit and Thought undoubtedly presents elements of interest and originality, at times the philosophical speculation runs the risk of prevailing over the ability to bring out the specificities and intrinsic qualities of the serial as a television phenomenon. This is, nevertheless, a book which will be of much interest to those already engaged with philosophical approaches to television analysis.
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来源期刊
Critical Studies in Television
Critical Studies in Television FILM, RADIO, TELEVISION-
CiteScore
2.10
自引率
30.00%
发文量
70
期刊介绍: Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
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