节奏训练作为小脑卒中后康复的工具:一项结合音乐治疗和物理治疗技术的案例研究

IF 1.6 4区 医学 Q2 REHABILITATION Nordic Journal of Music Therapy Pub Date : 2022-02-17 DOI:10.1080/08098131.2022.2026452
Jaana Ruotsalainen, Emily Carlson, Jaakko Erkkilä
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引用次数: 0

摘要

摘要简介本文探讨了音乐和多感官刺激在构建小脑卒中(CS)康复患者运动功能的补偿神经网络中的应用。本研究旨在通过激发客户对康复的兴趣和自我激励,解决患者在治疗中处于被动地位的现实临床问题。方法对一名CS幸存者进行个案研究,利用康复过程中获得的数据,结合音乐治疗技术和物理治疗技术,提高其运动表现的流畅性和准确性。定性和定量数据用于识别、描述和评估十次治疗中使用的任务的关键要素。治疗的重点是帮助CS幸存者通过有节奏的背诵和吟唱来产生自己准确流畅的动作,并产生自己的声音提示。结果CS幸存者实现了他的治疗目标,治疗师能够促进CS幸存者增强动机和能力,进行目标导向、重复、功能性和复杂性渐进的运动。讨论结果支持对中风患者和其他神经系统疾病患者的物理治疗和音乐治疗中的多感觉、有节奏的锻炼进行进一步研究的必要性。自我生成的声音线索的使用将是进一步研究的一个特别有趣的焦点。结果是在当前音乐治疗研究和理论的背景下进行讨论的。
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Rhythmic exercises as tools for rehabilitation following cerebellar stroke: A case study integrating music therapy and physiotherapy techniques
ABSTRACT Introduction This article explores the use of music and multisensory stimuli in the construction of compensatory neural networks for motoric functioning in a patient recovering from cerebellar strokes (CS). This study aimed to address the real-world clinical concern of patients having a passive role in therapy, by arousing the client’s interest and self-motivation in rehabilitation. Method The article presents a case study of a CS survivor, using data derived from rehabilitation sessions combining music therapy techniques with physiotherapy techniques to improve the fluency and accuracy of his motor performance. Qualitative and quantitative data are used to identify, describe, and evaluate the key elements of tasks used in the ten therapy sessions. Therapy focused particularly on facilitating the CS survivor to produce his own exact and fluent movement and generate his own vocal cues via rhythmic reciting and chanting. Results The CS survivor achieved his therapy goals, and the therapist was able to facilitate the CS survivor’s increased motivation and ability to perform movements that were goal-directed, repetitive, functional, and progressive in complexity. Discussion Results support the need for further research on multisensory, rhythmical exercises within physiotherapy and music therapy work with stroke patients and others with neurological disorders. The use of self-generated vocal cues would be a particularly interesting focus for further research. Results are discussed in the context of current music therapy research and theory.
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来源期刊
CiteScore
3.50
自引率
12.50%
发文量
45
期刊介绍: Nordic Journal of Music Therapy (NJMT) is published in collaboration with GAMUT - The Grieg Academy Music Therapy Research Centre (Uni Health and University of Bergen), with financial support from Nordic Board for Periodicals in the Humanities and Social Sciences and in co-operation with university programs and organizations of music therapy in the Nordic and Baltic countries. The Nordic Journal of Music Therapy serves the international community of music therapy by being an avenue for publication of scholarly articles, texts on practice, theory and research, dialogues and discussions, reviews and critique. Publication of the journal is based on the collaboration between the music therapy communities in the five Nordic countries of Denmark, Finland, Iceland, Norway and Sweden and the three Baltic Countries of Estonia, Latvia and Lithuania. This international but still regional foundation offers a platform for development of communication with the broader international community of music therapy. Scholars from all over the world are welcomed to write in the journal. Any kind of scholarly articles related to the field of music therapy are welcomed. All articles are reviewed by two referees and by the editors, to ensure the quality of the journal. Since the field of music therapy is still young, we work hard to make the review process a constructive learning experience for the author. The Nordic Journal of Music Therapy does not step aside from active engagement in the development of the discipline, in order to stimulate multicultural, meta-theoretical and philosophical discussions, and new and diverse forms of inquiry. The journal also stimulates reflections on music as the medium that defines the discipline. Perspectives inspired by musicology and ethnomusicology are therefore welcomed.
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