{"title":"模拟山水画:中国唐代新出土墓葬壁画","authors":"W. Hung","doi":"10.1080/00043079.2021.1925010","DOIUrl":null,"url":null,"abstract":"Abstract By focusing on six recently discovered tomb murals dating from the eighth to early tenth centuries that simulate landscape paintings in content and format, I articulate a new methodological framework to investigate a series of unexplored issues in the early history of Chinese landscape painting. By simultaneously examining the murals’ pictorial and architectural contexts in the underground tombs and their connections with the “real” landscape paintings they imitate, I experiment with a more thorough integration of connoisseurship-based painting scholarship and archaeology-based studies of tomb art, which have largely been considered two separate fields in Chinese art history.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"103 1","pages":"6 - 35"},"PeriodicalIF":0.4000,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Simulated Landscape Paintings: Newly Unearthed Tomb Murals in Tang China\",\"authors\":\"W. Hung\",\"doi\":\"10.1080/00043079.2021.1925010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract By focusing on six recently discovered tomb murals dating from the eighth to early tenth centuries that simulate landscape paintings in content and format, I articulate a new methodological framework to investigate a series of unexplored issues in the early history of Chinese landscape painting. By simultaneously examining the murals’ pictorial and architectural contexts in the underground tombs and their connections with the “real” landscape paintings they imitate, I experiment with a more thorough integration of connoisseurship-based painting scholarship and archaeology-based studies of tomb art, which have largely been considered two separate fields in Chinese art history.\",\"PeriodicalId\":46667,\"journal\":{\"name\":\"ART BULLETIN\",\"volume\":\"103 1\",\"pages\":\"6 - 35\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ART BULLETIN\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00043079.2021.1925010\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ART BULLETIN","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00043079.2021.1925010","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Simulated Landscape Paintings: Newly Unearthed Tomb Murals in Tang China
Abstract By focusing on six recently discovered tomb murals dating from the eighth to early tenth centuries that simulate landscape paintings in content and format, I articulate a new methodological framework to investigate a series of unexplored issues in the early history of Chinese landscape painting. By simultaneously examining the murals’ pictorial and architectural contexts in the underground tombs and their connections with the “real” landscape paintings they imitate, I experiment with a more thorough integration of connoisseurship-based painting scholarship and archaeology-based studies of tomb art, which have largely been considered two separate fields in Chinese art history.
期刊介绍:
The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December